The sci-fi adventure »The Electric State« premiered on Netflix on March 14. Tim watched the film and shares his impressions here:
Sometimes it's astonishing how massive film projects can just pass you by, even when you’re deeply immersed in the subject, constantly on the lookout for new trailers, working with collectibles from current blockbusters, spending almost all your free time watching series and movies, and even heading to the cinema every few weeks. That's exactly what happened to me and the entire S.P.A.C.E Crew with »The Electric State«. I vaguely remember hearing that Simon Stålenhag's book was getting a film adaptation a few years ago, and I recall thinking, "Oh, cool!" – but somehow, I completely lost track of it. That is, until a few months ago when I saw the trailer once as an ad before another trailer, promptly forgot about it again, and then suddenly, on March 14, the film appeared out of nowhere on my Netflix page. But more on that in a moment.
Simon Stålenhag's illustrated novel is one of those defining artworks of an era – in this case, the Photoshop era. His haunting, 1990s-inspired retro-futuristic dystopian imagery is the epitome of digital painting, heavily influenced by game concept art, the digital revolution, and environmental disasters. They are also reminiscent of Lovecraft, if the Gothic author's monsters were robots instead of biological. The images feel eerily familiar, whether it's because the machines resemble mechatronics from our childhood or because these giant metallic beasts loom over an otherwise ordinary nighttime gas station. And that’s precisely what makes them so unsettling. This aesthetic perfectly fits into the internet world of backrooms and creepy pastas.
This fascination must have inspired the Russo brothers to acquire the film rights to the book and attempt the second adaptation of a Stålenhag work. In 2020, Prime Video released the series adaptation »Tales from the Loop«, which is definitely worth checking out. Here’s the trailer:
https://youtu.be/1htuNZp82CkAnd now we get to the film's genuinely eerie story: it is Netflix's most expensive production ever. Roughly 320 million dollars (!) were spent on this film, placing it among the top 10 most expensive movies of all time. Current mega-stars like Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Giancarlo Esposito, Stanley Tucci, Woody Harrelson, and Anthony Mackie were cast in the lead roles. Incredible work went into the cinematic design and CGI for Stålenhag's metallic creations, and Avengers blockbuster directors Anthony and Joe Russo helmed the project. How did such a colossal project fly under our radar - especially when you compare it to Netflix’s last big sci-fi film production, Zack Snyder’s awful Star Wars knockoff »Rebel Moon« (166 million dollars for both films), whose promotion you simply couldn’t escape before, during, and after its release?
Unfortunately, I don't have an answer for that. Maybe they just ran out of money when it came to marketing. The posters didn't do the movie any favors either, they are as stupid and generic as the ones for »Borderlands«. Nevertheless, the film has climbed to the top of the streaming charts, and I watched it too. I can already tell you this much: it’s DEFINITELY not as bad as the »Rebel Moon« films, but was it worth the 320 million? Probably not – though that depends a bit on what you value.
Visually, »The Electric State« is absolutely stunning. I love the design of the robots and the world, which sticks closely to the aesthetics of the source material. Honestly, I would have been satisfied if they had just left out the story altogether and made a dystopian atmospheric documentary instead. Unfortunately, the storytelling doesn’t come close to matching the visuals. Instead of the book's atmospheric horror, we get an action-comedy – popcorn cinema (without the cinema) that wouldn’t feel out of place in the current MCU. Chris Pratt's character is annoyingly unfunny, but his companion Herman (voiced by Anthony Mackie) has quite a bit of charm and makes up for it in places. I liked the connection between Millie Bobby Brown's Michelle and the robot Cosmo, though Cosmo's speech pattern, filled with cartoon references, heavily reminded me of Bumblebee from the »Transformers« series. The film's climax is a chaotic CGI battle lacking any depth, and the social and technological criticism is as on-the-nose as can be, carefully avoiding offending any particular group. The "robot messiah child" trope was executed far better in »The Creator« two years ago.
Conclusion: The film is perfectly fine for a casual movie night. At least you won’t constantly get frustrated with unbearably dumb protagonists, like I did with »Rebel Moon«. Did I expect much more from an adaptation of the book? ABSOLUTELY, but fans of »Transformers« and Marvel movies like me will still enjoy it. Just don’t expect any depth – and certainly no horror. That element only surfaces in a single, far-too-brief scene where you already know in advance that there are no stakes at all. Was this a way too long and complex review for a mediocre film? Probably ;).
Watch the trailer for »The Electric State« here:
https://youtu.be/KpN98z8Kf5E