News
03.09.2026 • THE BLOOD OF DAWNWALKER
Creatures of the night, your time has come: Today is the release of »The Blood of Dawnwalker«! With this extensive dark fantasy action RPG powered by Unreal Engine 5, Polish studio Rebel Wolves celebrates its debut. Graphics, combat system, open world, and story look more than promising. The Corruption system as well as the day-night cycle bring unique mechanics into the game. The immersive single-player experience is expected to offer about 50 to 70 hours of gameplay. The launch trailer provides you with breathtaking insights into an indescribably grim world:
https://youtu.be/FC_bDk-I7F4
You step into the shoes of 19-year-old Coen. His family suffers under the tyranny of the ancient vampire lord Brencis. During a blood mass in his home village, Coen is involuntarily turned into a so-called Dawnwalker. Brencis imprisons his family and will sacrifice them after 30 days and nights at his coronation ceremony. Coen has that much time to grow stronger and find allies in order to save his family. As a half-vampire, he has the advantage of not burning to ash during the day, instead regaining his human form, but at night his vampiric instincts and powers awaken. Whether he turns into a monster and ascends to become a dark ruler, or holds onto his humanity and finds an honorable path to achieve his goal, is entirely the player's choice.
Which path would you choose in »The Blood of Dawnwalker«?
https://youtu.be/FC_bDk-I7F4
You step into the shoes of 19-year-old Coen. His family suffers under the tyranny of the ancient vampire lord Brencis. During a blood mass in his home village, Coen is involuntarily turned into a so-called Dawnwalker. Brencis imprisons his family and will sacrifice them after 30 days and nights at his coronation ceremony. Coen has that much time to grow stronger and find allies in order to save his family. As a half-vampire, he has the advantage of not burning to ash during the day, instead regaining his human form, but at night his vampiric instincts and powers awaken. Whether he turns into a monster and ascends to become a dark ruler, or holds onto his humanity and finds an honorable path to achieve his goal, is entirely the player's choice.
Which path would you choose in »The Blood of Dawnwalker«?
03.09.2026 • CHRISTMAS WILL BE MAGICAL
The countdown to the Christmas season is kicking off not just in supermarkets, with the arrival of the first gingerbread, but on HBO Max as well. The Harry Potter series reboot is set to launch there this Christmas, and a new, magical teaser trailer was released yesterday:
https://youtu.be/1RnyZgfN-JY
We are excited for this first season, which brings the story from the book »Harry Potter and the Philosopher's Stone« back to our home screens – complete with additional details and scenes, as the trailers have already revealed! A second season, intended to adapt »The Chamber of Secrets«, has already been ordered.
https://youtu.be/1RnyZgfN-JY
We are excited for this first season, which brings the story from the book »Harry Potter and the Philosopher's Stone« back to our home screens – complete with additional details and scenes, as the trailers have already revealed! A second season, intended to adapt »The Chamber of Secrets«, has already been ordered.
02.09.2026 • THE MANDALORIAN AND GROGU ON DISNEY+
This May, we got to see one of our favorite Star Wars duos on the big screen for the first time in »The Mandalorian and Grogu«. In the film, Din Djarin and his young charge hunt down Imperial war criminals for the New Republic. If you missed the film back then, you can catch up on Disney+ starting today. So grab a snack, kick back on the couch, and treat yourself to »The Mandalorian and Grogu«!
To go along with it, you'll find plenty of fitting collectibles in our shop – ranging from the adorable statues in Iron Studios' »Grogu Collection« to various high-quality 1/6 scale figures from Hot Toys. Be sure to check out the movie category in our shop!
To go along with it, you'll find plenty of fitting collectibles in our shop – ranging from the adorable statues in Iron Studios' »Grogu Collection« to various high-quality 1/6 scale figures from Hot Toys. Be sure to check out the movie category in our shop!
02.09.2026 • 25 YEARS OF THE DEVIL'S BACKBONE
Twenty-five years ago this week, from August 31 to September 3, 2001, »The Devil's Backbone« screened at the Telluride Film Festival in Colorado, introduced by the director in person. It was the North American premiere; Guillermo del Toro's third feature had already been playing in Spanish theaters since April. A box-office hit it was not, and it was no great festival sensation either. Interest simply kept growing quietly, among insiders, year after year. Real attention arrived only five years later, on the back of its spiritual successor »Pan's Labyrinth«, and today the film counts as a key work in del Toro's career and as one of the most beautiful ghost stories ever put on screen.
The road there was bitter. After his acclaimed debut »Cronos« (1993), del Toro's Hollywood excursion »Mimic« (1997) collapsed into a battle with the Weinsteins over the final cut. Shortly afterward his father was kidnapped in Guadalajara and held hostage for weeks; James Cameron helped out with the ransom money. Del Toro left Mexico with his parents and siblings shortly after. What rescued the passion project he had been carrying around since film school, »The Devil's Backbone«, was Spain: El Deseo, the production company of Pedro and Agustín Almodóvar, brought him to Madrid. Joining the cast was Marisa Paredes, an icon of Spanish cinema and for decades Pedro Almodóvar's most important actress.
The next part contains a few spoilers, so go and watch the movie before reading further!
Spain, 1939, the last year of the civil war. Young Carlos (Fernando Tielve) is dropped off at the remote Santa Lucía orphanage. An aerial bomb sits in the courtyard, undetonated, upright like a headstone. The children insist you can still hear it ticking. The headmistress Carmen (Paredes) and Dr. Casares (Federico Luppi) are keeping Republican gold out of the hands of Franco's men, which the ill-tempered caretaker Jacinto (Eduardo Noriega) is after as well. And at night something whispers in the hallways. "The One Who Sighs," the boys call it.
Santi's ghost is no jump-scare machine but an image of painful beauty: the drowned child's split skull trailing blood that curls through the water like smoke, guiding us through the story. This is where del Toro lays the foundation of his idea of horror. The ghost is victim, witness, warning. Evil, by contrast, is human and real. That inversion runs through his entire body of work, right up to »Crimson Peak«, where the dead protect the heroine and the living want her gone. Del Toro has said many times that he despises authority and doctrine, and it shows in his sense of good and evil. The war itself is a lead character in the film. It never appears on screen directly and is everywhere all the same: in the bomb, in the supplies that stop arriving, in Jacinto's brutalization. A very real fear, against which the supernatural feels almost consoling.
All of it is carried by an ensemble that brings an unusual tenderness to horror. Fernando Tielve as Carlos and Íñigo Garcés as Jaime play without a trace of child-actor cuteness, with an aloofness you rarely expect from kids. Above all, though, Federico Luppi and Marisa Paredes stand out as the two who run the orphanage: aging people with an unspoken love between them, keeping a house full of other people's children with a warmth that simply does not occur in horror films. Luppi's Casares is tired, gentle and powerless in a war already lost for his side, and he is given what may be the finest prologue in the genre: "What is a ghost? A tragedy condemned to repeat itself over and over?"
Both actors have since died, Luppi in 2017, Paredes in December 2024. Their scenes together, and above all the strangely heroic way they go out, now play like an obituary filmed some twenty years too early.
Cinematographer Guillermo Navarro bathes the days in dusty amber and the nights in a cold, watery green, a stylized contrast that would come to mark much of the work the two men did together. Javier Navarrete's score forgoes tension-loaded string stabs and reaches instead for dreamy, almost lullaby-like motifs that instill a sad calm rather than jump scares. Five years later he carried that tone over into »Pan's Labyrinth«, all the way to an Oscar nomination. Tielve, Garcés and Luppi turned up in the labyrinth as well, the two boys as unnamed maquis who do not survive the war – a fate that could easily have awaited the boys of the orphanage after the credits. Del Toro himself calls the two films siblings: here the war, there its aftermath under Franco. On October 11, »Pan's Labyrinth« turns twenty. We cannot think of a better excuse for a double feature.
»The Devil's Backbone« is streaming on Amazon Prime Video in Germany, and anyone with a public library card can watch it for free on Filmfriend. It belongs on the shelf anyway. Wicked Vision has released the film here in several editions, and StudioCanal's new 4K restoration, out in April to mark the 25th anniversary, finally gives Navarro's colors their full due.
For collectors, the beautiful but sold out Santi figure from the Guillermo del Toro Signature Collection by NECA, is of course also very interesting.
The road there was bitter. After his acclaimed debut »Cronos« (1993), del Toro's Hollywood excursion »Mimic« (1997) collapsed into a battle with the Weinsteins over the final cut. Shortly afterward his father was kidnapped in Guadalajara and held hostage for weeks; James Cameron helped out with the ransom money. Del Toro left Mexico with his parents and siblings shortly after. What rescued the passion project he had been carrying around since film school, »The Devil's Backbone«, was Spain: El Deseo, the production company of Pedro and Agustín Almodóvar, brought him to Madrid. Joining the cast was Marisa Paredes, an icon of Spanish cinema and for decades Pedro Almodóvar's most important actress.
The next part contains a few spoilers, so go and watch the movie before reading further!
Spain, 1939, the last year of the civil war. Young Carlos (Fernando Tielve) is dropped off at the remote Santa Lucía orphanage. An aerial bomb sits in the courtyard, undetonated, upright like a headstone. The children insist you can still hear it ticking. The headmistress Carmen (Paredes) and Dr. Casares (Federico Luppi) are keeping Republican gold out of the hands of Franco's men, which the ill-tempered caretaker Jacinto (Eduardo Noriega) is after as well. And at night something whispers in the hallways. "The One Who Sighs," the boys call it.
Santi's ghost is no jump-scare machine but an image of painful beauty: the drowned child's split skull trailing blood that curls through the water like smoke, guiding us through the story. This is where del Toro lays the foundation of his idea of horror. The ghost is victim, witness, warning. Evil, by contrast, is human and real. That inversion runs through his entire body of work, right up to »Crimson Peak«, where the dead protect the heroine and the living want her gone. Del Toro has said many times that he despises authority and doctrine, and it shows in his sense of good and evil. The war itself is a lead character in the film. It never appears on screen directly and is everywhere all the same: in the bomb, in the supplies that stop arriving, in Jacinto's brutalization. A very real fear, against which the supernatural feels almost consoling.
All of it is carried by an ensemble that brings an unusual tenderness to horror. Fernando Tielve as Carlos and Íñigo Garcés as Jaime play without a trace of child-actor cuteness, with an aloofness you rarely expect from kids. Above all, though, Federico Luppi and Marisa Paredes stand out as the two who run the orphanage: aging people with an unspoken love between them, keeping a house full of other people's children with a warmth that simply does not occur in horror films. Luppi's Casares is tired, gentle and powerless in a war already lost for his side, and he is given what may be the finest prologue in the genre: "What is a ghost? A tragedy condemned to repeat itself over and over?"
Both actors have since died, Luppi in 2017, Paredes in December 2024. Their scenes together, and above all the strangely heroic way they go out, now play like an obituary filmed some twenty years too early.
Cinematographer Guillermo Navarro bathes the days in dusty amber and the nights in a cold, watery green, a stylized contrast that would come to mark much of the work the two men did together. Javier Navarrete's score forgoes tension-loaded string stabs and reaches instead for dreamy, almost lullaby-like motifs that instill a sad calm rather than jump scares. Five years later he carried that tone over into »Pan's Labyrinth«, all the way to an Oscar nomination. Tielve, Garcés and Luppi turned up in the labyrinth as well, the two boys as unnamed maquis who do not survive the war – a fate that could easily have awaited the boys of the orphanage after the credits. Del Toro himself calls the two films siblings: here the war, there its aftermath under Franco. On October 11, »Pan's Labyrinth« turns twenty. We cannot think of a better excuse for a double feature.
»The Devil's Backbone« is streaming on Amazon Prime Video in Germany, and anyone with a public library card can watch it for free on Filmfriend. It belongs on the shelf anyway. Wicked Vision has released the film here in several editions, and StudioCanal's new 4K restoration, out in April to mark the 25th anniversary, finally gives Navarro's colors their full due.
For collectors, the beautiful but sold out Santi figure from the Guillermo del Toro Signature Collection by NECA, is of course also very interesting.
01.09.2026 • PRODUCT OF THE MONTH SEPTEMBER 2026
With our 💥 Product of the Month 💥 for September 2026, we aim to celebrate an action figure in the popular 1:12 scale while simultaneously paying tribute to the fantasy genre and the legendary Frank Frazetta. We have chosen Darkwolf – Version 2, a figure from ICON Collectibles by Frazetta Girls, based on the animated film »Fire and Ice«:
https://bit.ly/sf_pdm_sep26
Frank Frazetta (1928–2010) is considered one of the most influential fantasy and science fiction illustrators, holding immense significance for fantasy and popular culture. His standing within established art history is also increasingly being recognized.
His images have played a pivotal role in shaping how pop culture envisions Conan, barbarians, monsters, warriors, witches, and fantastical worlds. Consequently, his impact extends far beyond the original function of his images as book covers.
»Fire and Ice« is a fantasy animated film from 1983, directed by Ralph Bakshi with the involvement of Frank Frazetta. As he had done with his animated »Lord of the Rings« film, Bakshi employed the elaborate rotoscoping technique, in which live actors are filmed and then traced over frame by frame. Many of the characters, including Darkwolf, were created by Frank Frazetta.
At the time, the work was a financial failure. While critics praised the dynamic animation, the flick fell short in terms of the story. The screenplay was criticized for relying on shallow fantasy stereotypes and for being as banal as it was predictable.
Perhaps expectations for a movie involving Frank Frazetta were simply too high. His images stir our imagination and transport us to fantastical worlds; unfortunately, the film itself failed to capture that same depth. And today, more than 40 years later, the animated film – judged by modern standards – has clearly aged.
Just as Frazetta's images fire our imagination, so do action figures. On their long journey from mere toys to collectibles, they transport us into a world of magic and adventure.
In recent years, the 1:12 scale and similar formats have become a popular choice for fantasy figure lines such as Mattel and Mondo's »Masters of the Universe«, Harvinger Studios' »Savage Crucible«, Four Horsemen's »Mythic Legions« (slightly larger than 1:12), and, of course, ICON Collectibles. The latter is the official collectibles line from Frazetta Girls, the family-run business dedicated to preserving the fantasy artist's legacy. Frazetta Girls was founded in 2013 by Frazetta's daughter Holly and his granddaughter Sara; today, the company is led by Sara Frazetta and Joe Weber.
Launched in 2023, ICON Collectibles is a relatively new player in the collectibles market. The crucial difference is that this is not a manufacturer simply purchasing a Frazetta license. ICON is developed and overseen directly by the Frazetta family – specifically, the Frazetta Estate. Beyond Frazetta's own characters, Frazetta Girls also collaborates with the rights holders for Conan, John Carter, Vampirella, and others.
The »Fire and Ice« figures are particularly interesting because they do not merely represent generic Frazetta characters; instead, they are based on the world designed by Frazetta and made famous by Ralph Bakshi's animated film. In addition to Darkwolf, figures of Teegra and Nekron have also been released.
Our Product of the Month, Darkwolf, appears as a muscular, primal fantasy warrior with a bare, bronzed torso. Particularly striking features include the black wolf-head headdress, the long fur mane, the bone necklace, and the fur and leather attire. A wide, studded leather belt with a prominent metal plaque and a fur loincloth complete the barbaric, prehistoric look.
Darkwolf is armed with his signature large double-bladed axe as well as a bow and arrow. It was the very first ICON Collectibles release, produced three years ago in a relatively small run, and consequently sold out quickly. In addition to the masked head, which comes with three interchangeable lower face parts featuring different expressions, the current V2 reissue includes an unmasked head, inspired by Frank Frazetta's original design. The intricate fur, leather, and metal textures create a level of detail that is remarkable for such a relatively small scale. Pair him with Teegra or recreate the battle against Nekron!
https://bit.ly/sf_pdm_sep26
Frank Frazetta (1928–2010) is considered one of the most influential fantasy and science fiction illustrators, holding immense significance for fantasy and popular culture. His standing within established art history is also increasingly being recognized.
His images have played a pivotal role in shaping how pop culture envisions Conan, barbarians, monsters, warriors, witches, and fantastical worlds. Consequently, his impact extends far beyond the original function of his images as book covers.
»Fire and Ice« is a fantasy animated film from 1983, directed by Ralph Bakshi with the involvement of Frank Frazetta. As he had done with his animated »Lord of the Rings« film, Bakshi employed the elaborate rotoscoping technique, in which live actors are filmed and then traced over frame by frame. Many of the characters, including Darkwolf, were created by Frank Frazetta.
At the time, the work was a financial failure. While critics praised the dynamic animation, the flick fell short in terms of the story. The screenplay was criticized for relying on shallow fantasy stereotypes and for being as banal as it was predictable.
Perhaps expectations for a movie involving Frank Frazetta were simply too high. His images stir our imagination and transport us to fantastical worlds; unfortunately, the film itself failed to capture that same depth. And today, more than 40 years later, the animated film – judged by modern standards – has clearly aged.
Just as Frazetta's images fire our imagination, so do action figures. On their long journey from mere toys to collectibles, they transport us into a world of magic and adventure.
In recent years, the 1:12 scale and similar formats have become a popular choice for fantasy figure lines such as Mattel and Mondo's »Masters of the Universe«, Harvinger Studios' »Savage Crucible«, Four Horsemen's »Mythic Legions« (slightly larger than 1:12), and, of course, ICON Collectibles. The latter is the official collectibles line from Frazetta Girls, the family-run business dedicated to preserving the fantasy artist's legacy. Frazetta Girls was founded in 2013 by Frazetta's daughter Holly and his granddaughter Sara; today, the company is led by Sara Frazetta and Joe Weber.
Launched in 2023, ICON Collectibles is a relatively new player in the collectibles market. The crucial difference is that this is not a manufacturer simply purchasing a Frazetta license. ICON is developed and overseen directly by the Frazetta family – specifically, the Frazetta Estate. Beyond Frazetta's own characters, Frazetta Girls also collaborates with the rights holders for Conan, John Carter, Vampirella, and others.
The »Fire and Ice« figures are particularly interesting because they do not merely represent generic Frazetta characters; instead, they are based on the world designed by Frazetta and made famous by Ralph Bakshi's animated film. In addition to Darkwolf, figures of Teegra and Nekron have also been released.
Our Product of the Month, Darkwolf, appears as a muscular, primal fantasy warrior with a bare, bronzed torso. Particularly striking features include the black wolf-head headdress, the long fur mane, the bone necklace, and the fur and leather attire. A wide, studded leather belt with a prominent metal plaque and a fur loincloth complete the barbaric, prehistoric look.
Darkwolf is armed with his signature large double-bladed axe as well as a bow and arrow. It was the very first ICON Collectibles release, produced three years ago in a relatively small run, and consequently sold out quickly. In addition to the masked head, which comes with three interchangeable lower face parts featuring different expressions, the current V2 reissue includes an unmasked head, inspired by Frank Frazetta's original design. The intricate fur, leather, and metal textures create a level of detail that is remarkable for such a relatively small scale. Pair him with Teegra or recreate the battle against Nekron!
31.08.2026 • THE HIGHLIGHTS OF GAMESCOM AND GTA VI
The gaming world has been turned upside down and the hype is enormous, because after 13 years the next installment of one of the best-known game series is finally in the starting blocks. Whether that's warranted or not is definitely up for debate, but there's simply no getting around the whole »Grand Theft Auto« topic:
On Thursday, at the same time as Gamescom, an extended look special running about 26 minutes was shown on Netflix, presenting gameplay and story of »GTA VI«, which is set to finally be released on November 19, as in-game footage captured on the PlayStation 5. It looks spectacular, of course, and alongside the open-world action stories it's also clear that the RPG aspects have been expanded considerably compared to the previous game – you have direct influence on the relationship dynamic between the two protagonists, for example:
https://youtu.be/tJbzMqJGH4k
That news naturally overshadowed the many other announcements and presentations from the expo, even though Rockstar Games didn't have a booth there – so here's a quick run-through of what we think were some of the most exciting Gamescom highlights:
»The Witcher 3: Wild Hunt Remastered« and »Songs of the Past«
Eleven years after the original release, CD Projekt RED is surprising us with a remaster, that's supposed to be released on September 29 and free for everyone who already owns the game, plus a completely new, large story expansion, which will come out next year:
https://youtu.be/G3kuMWediSQ
»Fable«
A gorgeous reboot of the beloved fantasy action-RPG series, with life-sim elements, which will be released on February 23:
https://youtu.be/vjQNvjTF56o
»Tides of Annihilation«
A very dark action-adventure based on the legends surrounding the Knights of the Round Table, with a gorgeous art style:
https://youtu.be/FEUjBGWiUa4
An official release date is yet to be announced.
»Stuntman: Hollywood«
After 20 years, the »Stuntman« racing series is back – this time with real movie licenses like »Fast & Furious«, »Knight Rider«, »Back to the Future« and »Jurassic World«:
https://youtu.be/LEKt2lX4Xxs
No release date has been announced yet.
»Rainbow Six Tactics«
The new entry in the »Rainbow Six« series, which will be released next year, is the first pure single-player game in the franchise: turn-based, from a tactical top-down view, instead of a multiplayer first-person action shooter:
https://youtu.be/HoDIxvqQfxQ
»Orbitals«
A couch co-op game for two, with a gorgeous art style inspired by '80s and '90s anime like »Sailor Moon«, »Dragonball Z« and »Ghost in the Shell«:
https://youtu.be/IBqFf2mXV9Y
You can play »Orbitals« starting this thursday.
»1001 Threads of Mizan«
Hailed by many attendees as the surprise hit of the Gamescom: a co-op action-adventure based on »One Thousand and One Nights« that looks absolutely stunning:
https://youtu.be/9boclMow7JA
A release date is yet to be announced.
»Warlock: Dungeons & Dragons«
And last but not least, a game that wasn't actually presented at Gamescom, but still got its first proper trailer last week alongside the fair – and could well turn out to be a real highlight of next year:
https://youtu.be/pNw0sh481bA
Will you be playing »GTA VI«, and which of the new reveals are you looking forward to most?
On Thursday, at the same time as Gamescom, an extended look special running about 26 minutes was shown on Netflix, presenting gameplay and story of »GTA VI«, which is set to finally be released on November 19, as in-game footage captured on the PlayStation 5. It looks spectacular, of course, and alongside the open-world action stories it's also clear that the RPG aspects have been expanded considerably compared to the previous game – you have direct influence on the relationship dynamic between the two protagonists, for example:
https://youtu.be/tJbzMqJGH4k
That news naturally overshadowed the many other announcements and presentations from the expo, even though Rockstar Games didn't have a booth there – so here's a quick run-through of what we think were some of the most exciting Gamescom highlights:
»The Witcher 3: Wild Hunt Remastered« and »Songs of the Past«
Eleven years after the original release, CD Projekt RED is surprising us with a remaster, that's supposed to be released on September 29 and free for everyone who already owns the game, plus a completely new, large story expansion, which will come out next year:
https://youtu.be/G3kuMWediSQ
»Fable«
A gorgeous reboot of the beloved fantasy action-RPG series, with life-sim elements, which will be released on February 23:
https://youtu.be/vjQNvjTF56o
»Tides of Annihilation«
A very dark action-adventure based on the legends surrounding the Knights of the Round Table, with a gorgeous art style:
https://youtu.be/FEUjBGWiUa4
An official release date is yet to be announced.
»Stuntman: Hollywood«
After 20 years, the »Stuntman« racing series is back – this time with real movie licenses like »Fast & Furious«, »Knight Rider«, »Back to the Future« and »Jurassic World«:
https://youtu.be/LEKt2lX4Xxs
No release date has been announced yet.
»Rainbow Six Tactics«
The new entry in the »Rainbow Six« series, which will be released next year, is the first pure single-player game in the franchise: turn-based, from a tactical top-down view, instead of a multiplayer first-person action shooter:
https://youtu.be/HoDIxvqQfxQ
»Orbitals«
A couch co-op game for two, with a gorgeous art style inspired by '80s and '90s anime like »Sailor Moon«, »Dragonball Z« and »Ghost in the Shell«:
https://youtu.be/IBqFf2mXV9Y
You can play »Orbitals« starting this thursday.
»1001 Threads of Mizan«
Hailed by many attendees as the surprise hit of the Gamescom: a co-op action-adventure based on »One Thousand and One Nights« that looks absolutely stunning:
https://youtu.be/9boclMow7JA
A release date is yet to be announced.
»Warlock: Dungeons & Dragons«
And last but not least, a game that wasn't actually presented at Gamescom, but still got its first proper trailer last week alongside the fair – and could well turn out to be a real highlight of next year:
https://youtu.be/pNw0sh481bA
Will you be playing »GTA VI«, and which of the new reveals are you looking forward to most?
31.08.2026 • 40 YEARS OF BLUE VELVET
Yesterday marked exactly 40 years since David Lynch's »Blue Velvet« celebrated its world premiere at the Montréal World Film Festival in Canada. While the work received a largely positive critical reception, it also sparked some festival controversies. Initially, the critics' acclaim was not reflected at the box office. However, it gradually won over audiences; today, it is regarded as one of the great classics of the 1980s and a must-see movie.
One can simply experience »Blue Velvet« as a thriller, yet there is much more beneath the surface. A closer look reveals a story rich in dream logic and depth, inviting viewers to interpret its meaning or simply immerse themselves in a bizarre world.
The opening images immediately captivate us: blue velvet ... the soundtrack plays the song »Blue Velvet« sung by Bobby Vinton, accompanied by a deep blue sky, a brilliant white picket fence, and blood-red roses. It is no coincidence that these three colors also appear on the flag of the United States.
An old fire truck, with a friendly, waving firefighter, drives past in slow motion. It feels as though we have stepped into an idyllic Norman Rockwell painting. An overweight man is watering his lawn with a garden hose. Moments later, he collapses in pain. He lies helpless in the grass, the hose still in his hand. A toddler in the background and a small dog playing with the jet of water ensure that, despite the accident, the atmosphere retains that reassuring Rockwell-esque quality.
Then, the camera dives down into the grass and soil, and the frame is suddenly teeming with insects and black beetles. Close-ups make them look like monsters – a hidden underworld lurking beneath the idyllic surface. And a taste of the hell awaiting the protagonist, Jeffrey.
After his father (the man in the garden) suffers a spinal fracture, young Jeffrey Beaumont (Kyle MacLachlan) takes a leave of absence from college and returns to his hometown Lumberton, North Carolina, to visit his father in the hospital and help out with the family business.
On his way back from the hospital, he discovers a human ear in a vacant lot. He hands it over to Detective John Williams (George Dickerson), a police officer who lives in the neighborhood. The discovery piques Jeffrey's curiosity, and he begins to investigate on his own, aided by Sandy Williams (Laura Dern), the detective's daughter.
Through her, he is led to nightclub singer Dorothy Vallens (Isabella Rossellini). Shortly thereafter, he witnesses the psychopath Frank Booth (Dennis Hopper) raping Dorothy. Jeffrey learns that Frank has kidnapped Dorothy's husband and son and is holding them captive. The ear Jeffrey found belongs to Dorothy's husband ...
The story is rife with symbolism, Oedipal dynamics, sex, and violence – a nightmarish yin and yang of an idyllic surface and the underworld lurking beneath. The plot and its ambiguous imagery lend themselves to a multitude of interpretations, and one could spend hours attempting to decipher their possible meanings.
Kyle MacLachlan and Laura Dern turn in strong performances and are excellently cast, yet Isabella Rossellini, and even more so Dennis Hopper, completely dominate their scenes. Hopper portrays one of the most repulsive villains of 1980s cinema; the phrase "the man we love to hate" hardly does justice to his performance.
»Blue Velvet« is not currently available on streaming services. However, it is an essential addition to any well-curated film collection. Here's a preview:
https://youtu.be/k_BybDB_phY
One can simply experience »Blue Velvet« as a thriller, yet there is much more beneath the surface. A closer look reveals a story rich in dream logic and depth, inviting viewers to interpret its meaning or simply immerse themselves in a bizarre world.
The opening images immediately captivate us: blue velvet ... the soundtrack plays the song »Blue Velvet« sung by Bobby Vinton, accompanied by a deep blue sky, a brilliant white picket fence, and blood-red roses. It is no coincidence that these three colors also appear on the flag of the United States.
An old fire truck, with a friendly, waving firefighter, drives past in slow motion. It feels as though we have stepped into an idyllic Norman Rockwell painting. An overweight man is watering his lawn with a garden hose. Moments later, he collapses in pain. He lies helpless in the grass, the hose still in his hand. A toddler in the background and a small dog playing with the jet of water ensure that, despite the accident, the atmosphere retains that reassuring Rockwell-esque quality.
Then, the camera dives down into the grass and soil, and the frame is suddenly teeming with insects and black beetles. Close-ups make them look like monsters – a hidden underworld lurking beneath the idyllic surface. And a taste of the hell awaiting the protagonist, Jeffrey.
After his father (the man in the garden) suffers a spinal fracture, young Jeffrey Beaumont (Kyle MacLachlan) takes a leave of absence from college and returns to his hometown Lumberton, North Carolina, to visit his father in the hospital and help out with the family business.
On his way back from the hospital, he discovers a human ear in a vacant lot. He hands it over to Detective John Williams (George Dickerson), a police officer who lives in the neighborhood. The discovery piques Jeffrey's curiosity, and he begins to investigate on his own, aided by Sandy Williams (Laura Dern), the detective's daughter.
Through her, he is led to nightclub singer Dorothy Vallens (Isabella Rossellini). Shortly thereafter, he witnesses the psychopath Frank Booth (Dennis Hopper) raping Dorothy. Jeffrey learns that Frank has kidnapped Dorothy's husband and son and is holding them captive. The ear Jeffrey found belongs to Dorothy's husband ...
The story is rife with symbolism, Oedipal dynamics, sex, and violence – a nightmarish yin and yang of an idyllic surface and the underworld lurking beneath. The plot and its ambiguous imagery lend themselves to a multitude of interpretations, and one could spend hours attempting to decipher their possible meanings.
Kyle MacLachlan and Laura Dern turn in strong performances and are excellently cast, yet Isabella Rossellini, and even more so Dennis Hopper, completely dominate their scenes. Hopper portrays one of the most repulsive villains of 1980s cinema; the phrase "the man we love to hate" hardly does justice to his performance.
»Blue Velvet« is not currently available on streaming services. However, it is an essential addition to any well-curated film collection. Here's a preview:
https://youtu.be/k_BybDB_phY
27.08.2026 • THE DOG STARS
Today, »The Dog Stars« by prolific filmmaker Ridley Scott opens in cinemas. The British director, responsible for masterpieces such as »Alien«, »Blade Runner«, and »Gladiator«, shows no signs of retiring, even as he approaches the age of 89.
The film is based on the novel of the same name by Peter Heller. The story is set in a post-apocalyptic world in the year 2035, after a deadly flu has wiped out the majority of humanity. Hig (Jacob Elordi), a mechanic, and Bangley (Josh Brolin), a former Marine, have made a home for themselves at an abandoned airfield in Colorado, where they must repeatedly defend the site against bandits. One day, Hig picks up a radio transmission. Accompanied by his dog Jasper, he takes his Cessna up to search for the signal's source, eventually encountering fellow survivors Cima (Margaret Qualley) and her father, Pops (Guy Pearce).
Early reviews of »The Dog Stars« have been quite favorable. However, audiences shouldn't expect an action-packed spectacle; on the contrary, the film unfolds at a rather elegiac, leisurely pace. The world-building and landscape cinematography have garnered particular praise. Incidentally, filming did not take place in Denver or the Rocky Mountains, but in Italy – specifically in the Dolomites and the Abruzzo region. The scenes depicting a ruined Denver were created in and around Rome, with various shots filmed at the famous Cinecittà Studios as well as at Pinewood Studios in England.
We don't expect Ridley Scott to match his greatest past successes here – those are likely unsurpassable. Nevertheless, the master's latest work is certainly worth a trip to the cinema, and we are also looking forward to the cast.
You can get a first glimpse of this dystopian world by watching the trailer:
https://youtu.be/-xSxaE1ClEE
The film is based on the novel of the same name by Peter Heller. The story is set in a post-apocalyptic world in the year 2035, after a deadly flu has wiped out the majority of humanity. Hig (Jacob Elordi), a mechanic, and Bangley (Josh Brolin), a former Marine, have made a home for themselves at an abandoned airfield in Colorado, where they must repeatedly defend the site against bandits. One day, Hig picks up a radio transmission. Accompanied by his dog Jasper, he takes his Cessna up to search for the signal's source, eventually encountering fellow survivors Cima (Margaret Qualley) and her father, Pops (Guy Pearce).
Early reviews of »The Dog Stars« have been quite favorable. However, audiences shouldn't expect an action-packed spectacle; on the contrary, the film unfolds at a rather elegiac, leisurely pace. The world-building and landscape cinematography have garnered particular praise. Incidentally, filming did not take place in Denver or the Rocky Mountains, but in Italy – specifically in the Dolomites and the Abruzzo region. The scenes depicting a ruined Denver were created in and around Rome, with various shots filmed at the famous Cinecittà Studios as well as at Pinewood Studios in England.
We don't expect Ridley Scott to match his greatest past successes here – those are likely unsurpassable. Nevertheless, the master's latest work is certainly worth a trip to the cinema, and we are also looking forward to the cast.
You can get a first glimpse of this dystopian world by watching the trailer:
https://youtu.be/-xSxaE1ClEE
27.08.2026 • ONE VOICE, MANY FACES
And another icon has left this world: British actor, voice actor and singer Tim Curry died on August 25th in Los Angeles, also at the age of 80. The character performer, known to most as Dr. Frank-N-Furter in »The Rocky Horror Picture Show« and as the demonic clown Pennywise in »Stephen King's It«, had used a wheelchair since a 2012 stroke and struggled with a range of health problems from then on.
His career began in 1968 with the musical »Hair«, where he met Richard O'Brien – who would later write the stage musical »The Rocky Horror Show« and then it's screen adaptation »The Rocky Horror Picture Show«, in which Tim Curry took on the role of Dr. Frank-N-Furter. That the character became what it is today was Curry's doing: O'Brien had originally conceived the eccentric scientist as a German in a lab coat – it was Curry who turned that into a corset, fishnet stockings and an English upper-class accent. The gender-ambivalent creation made him world-famous overnight. Countless films followed, often with Curry as the villain: Mr. Hector in »Home Alone 2: Lost in New York«, Darkness in Ridley Scott's »Legend«, Cardinal Richelieu in »The Three Musketeers«, Bill Sikes in the 1982 television adaptation of »Oliver Twist«, and a magnificent turn as the wizard Trymon in »The Colour of Magic«, adapted from Terry Pratchett's novels »The Colour of Magic« and «The Light Fantastic«. Especially his appearance as Long John Silver in »Muppet Treasure Island« was legendary.
His epic and distinctive voice made him a beloved voice actor above all, for example in his Emmy-winning performance as Captain Hook in the series »Peter Pan & the Pirates«, or as Darth Sidious / Palpatine in »Star Wars: The Clone Wars«.
Tim Curry never married and had no children, but his legacy is enormous. His theatrical, at times almost cartoonishly outsized approach to acting made him an icon of pop culture and of horror in particular. Above that, he also championed social justice throughout his life.
Float on to your next adventure, dear Tim – and when we're up there with you, we'll float too!
His career began in 1968 with the musical »Hair«, where he met Richard O'Brien – who would later write the stage musical »The Rocky Horror Show« and then it's screen adaptation »The Rocky Horror Picture Show«, in which Tim Curry took on the role of Dr. Frank-N-Furter. That the character became what it is today was Curry's doing: O'Brien had originally conceived the eccentric scientist as a German in a lab coat – it was Curry who turned that into a corset, fishnet stockings and an English upper-class accent. The gender-ambivalent creation made him world-famous overnight. Countless films followed, often with Curry as the villain: Mr. Hector in »Home Alone 2: Lost in New York«, Darkness in Ridley Scott's »Legend«, Cardinal Richelieu in »The Three Musketeers«, Bill Sikes in the 1982 television adaptation of »Oliver Twist«, and a magnificent turn as the wizard Trymon in »The Colour of Magic«, adapted from Terry Pratchett's novels »The Colour of Magic« and «The Light Fantastic«. Especially his appearance as Long John Silver in »Muppet Treasure Island« was legendary.
His epic and distinctive voice made him a beloved voice actor above all, for example in his Emmy-winning performance as Captain Hook in the series »Peter Pan & the Pirates«, or as Darth Sidious / Palpatine in »Star Wars: The Clone Wars«.
Tim Curry never married and had no children, but his legacy is enormous. His theatrical, at times almost cartoonishly outsized approach to acting made him an icon of pop culture and of horror in particular. Above that, he also championed social justice throughout his life.
Float on to your next adventure, dear Tim – and when we're up there with you, we'll float too!
26.08.2026 • TALES OF RAT AND SPACE PLAGUES
Tomorrow, two great games celebrate their release. A prequel draws us even deeper into the »A Plague Tale« lore, while we must prove ourselves as strategists in the »Star Wars« universe.
RESONANCE: A PLAGUE TALE LEGACY
Following its two hit titles »A Plague Tale: Innocence« (2019) and »A Plague Tale: Requiem« (2022), developer Asobo Studio takes you about 15 years into the past with »Resonance: A Plague Tale Legacy«. You step into the shoes of 22-year-old Sophia, whom many of you already know as the pirate captain from »Requiem«. Her journey begins in Venice and leads to the Greek Minotaur's Island. While Sophia uncovers the secrets of her past, she encounters the origins of the devastating Macula rat plague. Visually, the prequel is truly beautiful to look at, and there will be noticeably more action than in the previous installments. Furthermore, the development studio has designed »Resonance: A Plague Tale Legacy« in a way that prior knowledge of its predecessors is not strictly necessary. The action-adventure game will be released for PlayStation 5, Xbox Series X|S, and PC. Here is the trailer for a great sneak peek:
https://youtu.be/8sHJhrFF4V0
STAR WARS ZERO COMPANY
Also launching tomorrow for PlayStation 5, Xbox Series X|S, and PC is »Star Wars Zero Company« from Bit Reactor, in collaboration with Lucasfilm and Respawn Entertainment. This turn-based tactics game centers around the "Zero Company", a crew of mercenaries, outcasts, clone deserters, and former Separatists. You play their leader, Captain Hawks, who has fallen out of favor with the Republic, and you must stop a cult from spreading a mysterious biological threat called the shadow plague across the galaxy. For a strategy game, it is visually a true highlight, but unfortunately, you can only enjoy it in single-player mode. As the trailer shows, an exciting adventure awaits you in the familiar »Star Wars« universe:
https://youtu.be/Q-pQE8dUV_g
Not to be forgotten: Gamescom 2026 starts today in Cologne – the annual highlight for gamers in the German-speaking region! Will you be there in person or do you prefer to watch it all from the comfort of your own home?
RESONANCE: A PLAGUE TALE LEGACY
Following its two hit titles »A Plague Tale: Innocence« (2019) and »A Plague Tale: Requiem« (2022), developer Asobo Studio takes you about 15 years into the past with »Resonance: A Plague Tale Legacy«. You step into the shoes of 22-year-old Sophia, whom many of you already know as the pirate captain from »Requiem«. Her journey begins in Venice and leads to the Greek Minotaur's Island. While Sophia uncovers the secrets of her past, she encounters the origins of the devastating Macula rat plague. Visually, the prequel is truly beautiful to look at, and there will be noticeably more action than in the previous installments. Furthermore, the development studio has designed »Resonance: A Plague Tale Legacy« in a way that prior knowledge of its predecessors is not strictly necessary. The action-adventure game will be released for PlayStation 5, Xbox Series X|S, and PC. Here is the trailer for a great sneak peek:
https://youtu.be/8sHJhrFF4V0
STAR WARS ZERO COMPANY
Also launching tomorrow for PlayStation 5, Xbox Series X|S, and PC is »Star Wars Zero Company« from Bit Reactor, in collaboration with Lucasfilm and Respawn Entertainment. This turn-based tactics game centers around the "Zero Company", a crew of mercenaries, outcasts, clone deserters, and former Separatists. You play their leader, Captain Hawks, who has fallen out of favor with the Republic, and you must stop a cult from spreading a mysterious biological threat called the shadow plague across the galaxy. For a strategy game, it is visually a true highlight, but unfortunately, you can only enjoy it in single-player mode. As the trailer shows, an exciting adventure awaits you in the familiar »Star Wars« universe:
https://youtu.be/Q-pQE8dUV_g
Not to be forgotten: Gamescom 2026 starts today in Cologne – the annual highlight for gamers in the German-speaking region! Will you be there in person or do you prefer to watch it all from the comfort of your own home?
26.08.2026 • DOLLY PARTON, 1946–2026
Dolly Parton is dead. The wildly successful singer, songwriter, entrepreneur and philanthropist died yesterday at the age of 80 following a brief battle with cancer. With her, a truly singular figure has left us. She didn't just have an enormous impact on country and pop music – her song »Jolene« has been covered hundreds of times, and her own »I Will Always Love You« became Whitney Houston's biggest hit – she also shaped three generations of media and pop culture in the United States. Few people of our time have been as universally loved and respected as the rhinestone-studded "blonde bombshell". Her line "If I hadn't been a woman, I'd be a drag queen for sure" became a catchphrase in the LGBTQ+ community and her song »9 to 5« an anthem for working women, while her gospel number »He's Alive«, still plays across the evangelical South every Easter and the decidedly christian conservative movie »Coat of Many Colors« became one of TVs most viewed films. She could hold both because she refused to take sides: she turned down the Presidential Medal of Freedom three times to avoid being claimed by either party, and whatever read as progressive she never justified politically, but through the faith she grew up with. In her later years she was known above all as a benefactor, using her fortune to give books to millions of children and do her part for literacy. President Donald Trump has ordered flags across the country to fly at half-staff for one week – somehow a clear symbol of her uncontroversial popularity.
Rest in peace, Dolly. We will always love you!
Rest in peace, Dolly. We will always love you!
25.08.2026 • NEW KRATOS CAST FOR THE SERIES
The new Kratos for the »God of War« series has been chosen! Due to a severe injury sustained by Ryan Hurst, Dave Bautista will now take on the lead role.
Following the failure of a planned film adaptation of the hit game franchise, a series adaptation was announced in 2022, produced by Sony Pictures Television and Amazon Studios in collaboration with PlayStation Productions. The series is set to adapt the two games based on Norse mythology: 2018's »God of War« and 2022's »God of War Ragnarök«. Ryan Hurst, who voiced Thor in the latter game, had been confirmed for the role of Kratos in January of this year. Shortly thereafter, filming began on the two commissioned seasons, which were scheduled to be shot back-to-back.
However, after Hurst suffered a torn bicep during a stunt in late June and it became clear he could not continue, the rumor mill began to churn. Who would step in to play the Greek God of War? The names of many former WWE stars circulated online, with Braun Strowman and current WWE Chief Content Officer Triple H frequently mentioned. Ultimately, Amazon and Sony opted for a different ex-wrestler: Dave Bautista, who was known in the ring as "The Animal" or Batista, but who has recently been active primarily as an actor.
Production can now start again – the four episodes already shot will be reshot – and it remains to be seen whether unleashing Batista upon the gods was the right choice. Our own Tobi is somewhat skeptical about the recasting and would have preferred Triple H. Which actor do you think would make the ideal Kratos?
Following the failure of a planned film adaptation of the hit game franchise, a series adaptation was announced in 2022, produced by Sony Pictures Television and Amazon Studios in collaboration with PlayStation Productions. The series is set to adapt the two games based on Norse mythology: 2018's »God of War« and 2022's »God of War Ragnarök«. Ryan Hurst, who voiced Thor in the latter game, had been confirmed for the role of Kratos in January of this year. Shortly thereafter, filming began on the two commissioned seasons, which were scheduled to be shot back-to-back.
However, after Hurst suffered a torn bicep during a stunt in late June and it became clear he could not continue, the rumor mill began to churn. Who would step in to play the Greek God of War? The names of many former WWE stars circulated online, with Braun Strowman and current WWE Chief Content Officer Triple H frequently mentioned. Ultimately, Amazon and Sony opted for a different ex-wrestler: Dave Bautista, who was known in the ring as "The Animal" or Batista, but who has recently been active primarily as an actor.
Production can now start again – the four episodes already shot will be reshot – and it remains to be seen whether unleashing Batista upon the gods was the right choice. Our own Tobi is somewhat skeptical about the recasting and would have preferred Triple H. Which actor do you think would make the ideal Kratos?
25.08.2026 • BLUE EYE SAMURAI
A few days ago, Netflix released the first teaser for the second season of »Blue Eye Samurai«, which is set to premiere in January 2027:
https://youtu.be/3oCx6HcYz9k
This news instantly made our day, as »Blue Eye Samurai« is currently one of the best animated series for adult audiences. Here are ten great reasons why the show is so magnificent and why we are incredibly excited for the second season:
Mizu and the Path of Vengeance
In Edo-period Japan – a time when the country had cut itself off from the outside world – four Europeans remained in the land, secretly conducting business with the Shogunate. They were involved in the trafficking of weapons, opium, and young women. One of the four raped Mizu's mother; Mizu is the child born of that rape. Her mixed heritage makes her an outcast. She hides her blue eyes behind tinted glasses and, disguised as a man, embarks on a path of vengeance. Mizu is a highly complex, morally ambiguous character. At the start of the story, she is a lone wolf, consumed by rage and self-loathing...
Character Depth and Development
We find depth and development not only in Mizu but also in all the key supporting characters, each of whom is wonderfully fleshed out. Ringo, the optimistic cook born without hands, becomes the story's moral compass. Taigen, initially an arrogant swordsman, is driven to restore the honor Mizu wounded, eventually becoming an ally. Princess Akemi begins as a nobleman's spoiled daughter and matures into a strong, responsible woman.
The Beauty of the World – "Every Frame a Painting"
This phrase applies perfectly to the series. The design of the Japanese landscape, the architecture of the villages and cities, and the interiors are incredibly rich in detail and texture, creating a tangible sense of the history and the era in which the story unfolds.
Meticulous Research
From the costumes and the characters' movements to the cuisine of the period, the meticulous research conveys a highly authentic atmosphere. Everything feels tangible and real. You become completely immersed in this world – an invitation to binge-watch that even we couldn't resist.
The Animation
The blend of 2D and 3D animation fuses into a cohesive artistic masterpiece. The editing and pacing are highly dynamic, with many scenes evoking the classic samurai films of Akira Kurosawa. The sword fights are brilliantly choreographed with the help of stunt performers.
Not for Children
This series is definitely not for children. It features deadly intrigues and addresses themes such as opium addiction and depravity. There is plenty of bloodshed, as well as nudity and sexual content. Yet, none of this is gratuitous; it always serves the story and character development.
Artful Flashbacks
The masterful and artistic use of flashbacks is also fantastic. In Episode 5, »The Tale of the Ronin and the Bride« (IMDb: 9.5!), a Bunraku puppet performance at the Shogun's court, Mizu's battle against an overwhelming force attacking the teahouse, and a tragic episode from Mizu's past are artfully interwoven – cinematic brilliance!
The Music
The series' score, composed by Amie Doherty, also deserves mention. It combines traditional Japanese instruments, such as the shakuhachi, shamisen, and taiko, with a modern orchestral film score sound. Many action scenes incorporate popular songs in a style reminiscent of Quentin Tarantino. The result is incredibly entertaining!
London Calling
At the end of the season, Mizu sets off for distant London. We are very curious to see how the city in the 17th-century will be portrayed in the series, how this other side of Mizu's heritage will affect her, and how her journey and further development will unfold.
Many Secrets Left
There are also secrets waiting to be revealed back in Japan. For instance, a character long thought dead is expected to reappear.
We are now eagerly awaiting the continuation of the story. Have you watched the first season? If not, you definitely should – you're going to love it! And if you've really developed a taste for it, we highly recommend the »Blue Eye Samurai« figures from Dark Horse:
https://www.space-figuren.de/Series/Blue-Eye-Samurai:::4682_5669.html
We sincerely hope that other manufacturers will also snap up a license for this fantastic series.
https://youtu.be/3oCx6HcYz9k
This news instantly made our day, as »Blue Eye Samurai« is currently one of the best animated series for adult audiences. Here are ten great reasons why the show is so magnificent and why we are incredibly excited for the second season:
Mizu and the Path of Vengeance
In Edo-period Japan – a time when the country had cut itself off from the outside world – four Europeans remained in the land, secretly conducting business with the Shogunate. They were involved in the trafficking of weapons, opium, and young women. One of the four raped Mizu's mother; Mizu is the child born of that rape. Her mixed heritage makes her an outcast. She hides her blue eyes behind tinted glasses and, disguised as a man, embarks on a path of vengeance. Mizu is a highly complex, morally ambiguous character. At the start of the story, she is a lone wolf, consumed by rage and self-loathing...
Character Depth and Development
We find depth and development not only in Mizu but also in all the key supporting characters, each of whom is wonderfully fleshed out. Ringo, the optimistic cook born without hands, becomes the story's moral compass. Taigen, initially an arrogant swordsman, is driven to restore the honor Mizu wounded, eventually becoming an ally. Princess Akemi begins as a nobleman's spoiled daughter and matures into a strong, responsible woman.
The Beauty of the World – "Every Frame a Painting"
This phrase applies perfectly to the series. The design of the Japanese landscape, the architecture of the villages and cities, and the interiors are incredibly rich in detail and texture, creating a tangible sense of the history and the era in which the story unfolds.
Meticulous Research
From the costumes and the characters' movements to the cuisine of the period, the meticulous research conveys a highly authentic atmosphere. Everything feels tangible and real. You become completely immersed in this world – an invitation to binge-watch that even we couldn't resist.
The Animation
The blend of 2D and 3D animation fuses into a cohesive artistic masterpiece. The editing and pacing are highly dynamic, with many scenes evoking the classic samurai films of Akira Kurosawa. The sword fights are brilliantly choreographed with the help of stunt performers.
Not for Children
This series is definitely not for children. It features deadly intrigues and addresses themes such as opium addiction and depravity. There is plenty of bloodshed, as well as nudity and sexual content. Yet, none of this is gratuitous; it always serves the story and character development.
Artful Flashbacks
The masterful and artistic use of flashbacks is also fantastic. In Episode 5, »The Tale of the Ronin and the Bride« (IMDb: 9.5!), a Bunraku puppet performance at the Shogun's court, Mizu's battle against an overwhelming force attacking the teahouse, and a tragic episode from Mizu's past are artfully interwoven – cinematic brilliance!
The Music
The series' score, composed by Amie Doherty, also deserves mention. It combines traditional Japanese instruments, such as the shakuhachi, shamisen, and taiko, with a modern orchestral film score sound. Many action scenes incorporate popular songs in a style reminiscent of Quentin Tarantino. The result is incredibly entertaining!
London Calling
At the end of the season, Mizu sets off for distant London. We are very curious to see how the city in the 17th-century will be portrayed in the series, how this other side of Mizu's heritage will affect her, and how her journey and further development will unfold.
Many Secrets Left
There are also secrets waiting to be revealed back in Japan. For instance, a character long thought dead is expected to reappear.
We are now eagerly awaiting the continuation of the story. Have you watched the first season? If not, you definitely should – you're going to love it! And if you've really developed a taste for it, we highly recommend the »Blue Eye Samurai« figures from Dark Horse:
https://www.space-figuren.de/Series/Blue-Eye-Samurai:::4682_5669.html
We sincerely hope that other manufacturers will also snap up a license for this fantastic series.
24.08.2026 • THEY'RE BACK TO THE BONE!
The anticipation for these new releases was bone-chilling. They already turned heads at the Four Horsemen booth during this year's San Diego Comic Con – and now, you can finally secure them for your collection: the Skeleton Warriors! The reboot of the 1994 Playmates Toys line, based on the animated series of the same name, combines barbaric fantasy with futuristic technology and awesome firepower.
Re-imagined by Four Horsemen Studios in collaboration with Lay Carnagey Entertainment, these newly sculpted 1:12 scale action figures – Dr. Cyborn, Aracula, Claw, and Bone-Zai – along with their accessories, impress with terrifying skeleton detailing, metalized body armor, and intricate craftsmanship. As part of the Infinite Legions line, individual components of these fantastic collectibles can be swapped and combined with one another, as well as with figures from the Mythic Legions and Cosmic Legions series. Remember, mortals: Skeleton Warriors aren't just dangerous... they're back to the bone!
Pre-order the figures from Wave 1 now – either individually or as a complete four-figure bundle:
https://www.space-figuren.de/Mehr/Skeleton-Warriors:::4687_5690.html
Re-imagined by Four Horsemen Studios in collaboration with Lay Carnagey Entertainment, these newly sculpted 1:12 scale action figures – Dr. Cyborn, Aracula, Claw, and Bone-Zai – along with their accessories, impress with terrifying skeleton detailing, metalized body armor, and intricate craftsmanship. As part of the Infinite Legions line, individual components of these fantastic collectibles can be swapped and combined with one another, as well as with figures from the Mythic Legions and Cosmic Legions series. Remember, mortals: Skeleton Warriors aren't just dangerous... they're back to the bone!
Pre-order the figures from Wave 1 now – either individually or as a complete four-figure bundle:
https://www.space-figuren.de/Mehr/Skeleton-Warriors:::4687_5690.html
20.08.2026 • MORTAL SHELL II
The sun is giving us no respite, so we are escaping into the next dark Soulslike game: Today marks the release of »Mortal Shell II«! It is launching on PlayStation 5, Xbox Series X|S, and PC. While the first installment by developer Cold Symmetry was still an insider indie tip, you can clearly see the sequel's beefed-up budget. Back then, the world was characterized by rather linear areas, but now players can expect an immersive open world that includes over 60 handcrafted dungeons, temples, forests, and citadels. The campaign's playtime clocks in at 20 to 30 hours, which is more than double that of its predecessor. Review scores so far have been highly positive. Visually, the title can definitely hold its own against other giants of the genre. Check out the launch trailer here:
https://youtu.be/MIEHUDi6DwU
Bizarre enemy designs and a twisted atmosphere define »Mortal Shell II«. The grim world is dominated by the divine Revered Mother, who lies dying and threatens to drag all of existence down with her. As a soulless Foundling, you must recover the lost ova of this Revered Mother so that a new divine cycle can begin. To be able to fight in the physical world, you inhabit the bodies of fallen warriors whose destinies are intertwined with that of the Revered Mother. However, grotesque monsters, false gods, and decayed creatures will stand in your way, seeking to exploit the ova for their own ends.
Who among you will claim their new Shell in »Mortal Shell II« and set out on the quest?
https://youtu.be/MIEHUDi6DwU
Bizarre enemy designs and a twisted atmosphere define »Mortal Shell II«. The grim world is dominated by the divine Revered Mother, who lies dying and threatens to drag all of existence down with her. As a soulless Foundling, you must recover the lost ova of this Revered Mother so that a new divine cycle can begin. To be able to fight in the physical world, you inhabit the bodies of fallen warriors whose destinies are intertwined with that of the Revered Mother. However, grotesque monsters, false gods, and decayed creatures will stand in your way, seeking to exploit the ova for their own ends.
Who among you will claim their new Shell in »Mortal Shell II« and set out on the quest?
19.08.2026 • WILDWOOD
When the term "animated film" comes up, most people immediately think of the big players: Pixar, DreamWorks, and, foremost among them, of course, Disney. There is no question that these studios have given us wonderful and unforgettable films over the years. However, the sheer volume of movies that the latter studio especially churns out – take a look at our news regarding the D23 event held last weekend – including countless sequels (not to mention the live-action remakes), leaves many longing for original, handcrafted films. That is precisely what you get from the stop-motion studio Laika; while no longer an obscure insider tip among animation fans, the name likely doesn't ring a bell for a lot of the general public. Laika's debut and most famous work, 2009's »Coraline«, has since become something of a cult classic. Today, that very studio released the first official trailer for its long-awaited sixth feature film:
https://youtu.be/dtr5JL1zkiM
»Wildwood« is based on the book of the same name by Colin Meloy and tells the story of young Prue. Together with her classmate Curtis, she must venture into a magical forest to search for her little brother, who has been abducted by a flock of crows. As the trailer reveals, an epic, dark adventure awaits, featuring a host of fascinating characters. On top of that, the highly emotional clip is accompanied by a beautiful cover of Avicii's »Wake Me Up«. The immense hype surrounding the project was already evident with the teaser trailer, which racked up over 80 million (!) views in a very short time a few months ago. Let's hope that success translates to the box office starting October 23rd! By the way, the film was directed by Travis Knight, the studio's current CEO, who already sat in the director's chair for Laika's »Kubo and the Two Strings« as well as this year's live-action »Masters of the Universe«.
Apart from how impressive this art form is (it is well worth checking out the making-of and behind-the-scenes videos on the official LAIKA Studios YouTube channel!), stop-motion films such as »Mary & Max«, »My Life as a Courgette«, »Guillermo del Toro's Pinocchio«, and Laika's »Coraline« have repeatedly demonstrated over the last few years that animation is not a genre but a medium capable of telling serious, adult stories. »Wildwood« also appears to strike a darker tone – we are very excited to see it!
https://youtu.be/dtr5JL1zkiM
»Wildwood« is based on the book of the same name by Colin Meloy and tells the story of young Prue. Together with her classmate Curtis, she must venture into a magical forest to search for her little brother, who has been abducted by a flock of crows. As the trailer reveals, an epic, dark adventure awaits, featuring a host of fascinating characters. On top of that, the highly emotional clip is accompanied by a beautiful cover of Avicii's »Wake Me Up«. The immense hype surrounding the project was already evident with the teaser trailer, which racked up over 80 million (!) views in a very short time a few months ago. Let's hope that success translates to the box office starting October 23rd! By the way, the film was directed by Travis Knight, the studio's current CEO, who already sat in the director's chair for Laika's »Kubo and the Two Strings« as well as this year's live-action »Masters of the Universe«.
Apart from how impressive this art form is (it is well worth checking out the making-of and behind-the-scenes videos on the official LAIKA Studios YouTube channel!), stop-motion films such as »Mary & Max«, »My Life as a Courgette«, »Guillermo del Toro's Pinocchio«, and Laika's »Coraline« have repeatedly demonstrated over the last few years that animation is not a genre but a medium capable of telling serious, adult stories. »Wildwood« also appears to strike a darker tone – we are very excited to see it!
19.08.2026 • S.P.A.C.E POSTCARD COLLECTION AUGUST 2026
Since late July, the summer blockbuster »Spider-Man: Brand New Day« has been thrilling Marvel fans on the big screen and smashing box-office records. The hype was already massive weeks and months in advance! So, for us, it was a no-brainer that the friendly neighborhood Spider-Man should grace our August postcard. 🕷️🕸️
It's a good thing Stefan managed to snap a shot of Spidey right at the break of a brand-new day, fresh and ready for his next mission! On our August postcard, he's still sporting the Classic Suit from »Marvel's Spider-Man«. However, by the time Stefan was ready to showcase the card, Hot Toys' latest version of the superhero – from »Brand New Day« – had already arrived. Perfect timing! 😄
You'll get a free copy of this card as a bonus in every package you receive from us this month. And if you want to admire more awesome toy photography featuring various 1/6 scale figures, be sure to check out Stefan's Instagram account!
📸 by @lesgrohl
It's a good thing Stefan managed to snap a shot of Spidey right at the break of a brand-new day, fresh and ready for his next mission! On our August postcard, he's still sporting the Classic Suit from »Marvel's Spider-Man«. However, by the time Stefan was ready to showcase the card, Hot Toys' latest version of the superhero – from »Brand New Day« – had already arrived. Perfect timing! 😄
You'll get a free copy of this card as a bonus in every package you receive from us this month. And if you want to admire more awesome toy photography featuring various 1/6 scale figures, be sure to check out Stefan's Instagram account!
📸 by @lesgrohl
17.08.2026 • D23: ULTIMATE FAN EVENT 2026
Every two years, Disney hosts D23 – a massive event where fans can discover all the exciting news and new releases from the world of the House of Mouse via panels and exhibition booths. Naturally, this includes Marvel and Star Wars, as well as other popular franchises from studios Disney has acquired over the years. The event returned this past weekend at the Anaheim Convention Center in California. We've summarized the most interesting announcements and, of course, new collectibles for you here.
In the animation sector, a handful of sequels were announced. Over the coming years, Disney will launch third installments of both »Zootopia« and »Frozen«. From Pixar, we can look forward to »Coco 2« and »The Incredibles 3«, while 20th Century Animation is bringing us »The New Simpsons Movie«.
During a major panel, Marvel boss Kevin Feige unveiled exciting news from the world of superheroes. Among other things, the cast was revealed for the upcoming X-Men film directed by Jake Schreier (»Thunderbolts«), which is slated for a May 2028 theatrical release. In addition to Sadie Sink as Jean Grey, who already recently appeared in »Spider-Man: Brand New Day«, the lineup includes, among others, Kit Connor (Cyclops), Samara Weaving (Emma Frost), and Inde Navarrette (Rogue).
Marvel also had something in store regarding »Avengers: Doomsday« (theatrical release: December 16). An epic Special Look offered a deeper insight into the story of the titular antagonist, Dr. Doom (Robert Downey Jr.):
https://youtu.be/X1aFkAkFASk
And a first official trailer was released for the series »VisionQuest«, which is set to premiere on Disney+ on October 14:
https://youtu.be/oSVTAUKyrL8
For »Star Wars« fans, a first teaser trailer for the second season of »Ahsoka« was shown. The preview really builds excitement for the new episodes, which will air on Disney+ starting January 20, 2027:
https://youtu.be/Fdar7gTQnog
Attendees also got a first look at new footage from »Star Wars: Starfighter« – hitting the big screen on May 26, 2027 – presented by Ryan Gosling himself. However, this footage is not yet officially available online.
Last but not least, we certainly don't want to keep our collectible highlights from D23 from you! NECA had already showcased some fantastic new Muppet action figures at SDCC. Now, this past weekend, figures from the »Muppet Babies« show were unveiled for the first time – adorable baby versions of iconic characters like Kermit, Miss Piggy, Gonzo, and more. Also on display at the NECA booth was a Simpsons statue by manufacturer Kidrobot, depicting the family from Springfield in a humorous nod to Michelangelo's »The Creation of Adam«. You can see both of these items, along with other collectibles from the NECA booth, in this booth tour:
https://youtu.be/kpwwZnkwfnQ
Iron Studios presented new statues for »Avengers: Doomsday« at their booth. Thor, Beast, Gambit, Nightcrawler, and Cyclops were showcased as 1/10 BDS Art Scale Statues. 1/4 Legacy Replica Statues of Cyclops were also on display, as well as new reveals from their Disney Classics line, including the enchanting 1/10 Scale Mickey, Minnie and Pluto's Day at the Park Deluxe Art Scale Statue and a truly wonderful 1/4 Scale Walt Disney & Mickey Mouse Legacy Replica Statue. All these new announcements are already available for pre-order in our shop:
https://www.space-figuren.de/products_pre.php?filter_id%5B0%5D=314
However, one item we unfortunately won't be getting is the beautiful D23 Exclusive 1/10 Scale Walt Disney Deluxe Art Scale Statue, which depicts Disney in a small diorama of his office. The statue features amazing details such as an aerial view of Disneyland, plush toys and figures of his most famous characters, books, and much more. Fans could only secure this exclusive collectible at the booth – and it sold out within 3 days!
Finally, a really exciting teaser featuring concept art for the manufacturer's new »Pirates of the Caribbean« license was dropped on Instagram: It looks like a 1/10 Deluxe Art Scale Statue of Captain Jack Sparrow and Davy Jones is in the works – we can't wait!
Did you follow D23? What was your highlight?
In the animation sector, a handful of sequels were announced. Over the coming years, Disney will launch third installments of both »Zootopia« and »Frozen«. From Pixar, we can look forward to »Coco 2« and »The Incredibles 3«, while 20th Century Animation is bringing us »The New Simpsons Movie«.
During a major panel, Marvel boss Kevin Feige unveiled exciting news from the world of superheroes. Among other things, the cast was revealed for the upcoming X-Men film directed by Jake Schreier (»Thunderbolts«), which is slated for a May 2028 theatrical release. In addition to Sadie Sink as Jean Grey, who already recently appeared in »Spider-Man: Brand New Day«, the lineup includes, among others, Kit Connor (Cyclops), Samara Weaving (Emma Frost), and Inde Navarrette (Rogue).
Marvel also had something in store regarding »Avengers: Doomsday« (theatrical release: December 16). An epic Special Look offered a deeper insight into the story of the titular antagonist, Dr. Doom (Robert Downey Jr.):
https://youtu.be/X1aFkAkFASk
And a first official trailer was released for the series »VisionQuest«, which is set to premiere on Disney+ on October 14:
https://youtu.be/oSVTAUKyrL8
For »Star Wars« fans, a first teaser trailer for the second season of »Ahsoka« was shown. The preview really builds excitement for the new episodes, which will air on Disney+ starting January 20, 2027:
https://youtu.be/Fdar7gTQnog
Attendees also got a first look at new footage from »Star Wars: Starfighter« – hitting the big screen on May 26, 2027 – presented by Ryan Gosling himself. However, this footage is not yet officially available online.
Last but not least, we certainly don't want to keep our collectible highlights from D23 from you! NECA had already showcased some fantastic new Muppet action figures at SDCC. Now, this past weekend, figures from the »Muppet Babies« show were unveiled for the first time – adorable baby versions of iconic characters like Kermit, Miss Piggy, Gonzo, and more. Also on display at the NECA booth was a Simpsons statue by manufacturer Kidrobot, depicting the family from Springfield in a humorous nod to Michelangelo's »The Creation of Adam«. You can see both of these items, along with other collectibles from the NECA booth, in this booth tour:
https://youtu.be/kpwwZnkwfnQ
Iron Studios presented new statues for »Avengers: Doomsday« at their booth. Thor, Beast, Gambit, Nightcrawler, and Cyclops were showcased as 1/10 BDS Art Scale Statues. 1/4 Legacy Replica Statues of Cyclops were also on display, as well as new reveals from their Disney Classics line, including the enchanting 1/10 Scale Mickey, Minnie and Pluto's Day at the Park Deluxe Art Scale Statue and a truly wonderful 1/4 Scale Walt Disney & Mickey Mouse Legacy Replica Statue. All these new announcements are already available for pre-order in our shop:
https://www.space-figuren.de/products_pre.php?filter_id%5B0%5D=314
However, one item we unfortunately won't be getting is the beautiful D23 Exclusive 1/10 Scale Walt Disney Deluxe Art Scale Statue, which depicts Disney in a small diorama of his office. The statue features amazing details such as an aerial view of Disneyland, plush toys and figures of his most famous characters, books, and much more. Fans could only secure this exclusive collectible at the booth – and it sold out within 3 days!
Finally, a really exciting teaser featuring concept art for the manufacturer's new »Pirates of the Caribbean« license was dropped on Instagram: It looks like a 1/10 Deluxe Art Scale Statue of Captain Jack Sparrow and Davy Jones is in the works – we can't wait!
Did you follow D23? What was your highlight?
14.08.2026 • THE FLY – 40 YEARS OF BODY HORROR
Tomorrow marks exactly 40 years since »The Fly« hit US theaters. That is certainly a great reason to revisit David Cronenberg's masterpiece. »The Fly« is currently available for streaming on Disney+.
In 1957, the underlying short story by author George Langelaan was published in Playboy magazine. Just one year later, »The Fly« was adapted for the screen under the direction of Kurt Neumann. The scientist André Delambre has invented a teleportation machine. During a self-experiment, he overlooks a fly inside the device, and the machine crosses the two with each other: Delambre now has a gigantic fly head and a fly arm, while the fly has a human head and arm. Delambre hides his monstrous head under a cloth and is unable to speak. The revelation of his appearance forms the dramatic climax of the film.
When first watching the Cronenberg film, many viewers surely still had the original in mind, and the movie poster also laid a matching false trail. On the poster, you see the scientist – named Seth Brundle here – inside his teleportation machine. The center of the image is overexposed, so his head cannot be seen. You only see a human arm reaching out and a fly leg stretching forth.
When Brundle then teleports himself in his self-experiment – surprise! –, he emerges from the machine completely unharmed. At first, he feels truly great: stronger, more alert, and convinced that the transportation process has a purifying effect. But he slowly begins to change, and a computer analysis of the transporter log uncovers the horrifying truth: his DNA has fused with the DNA of a housefly.
His gradual transformation is body horror at its absolute finest. Lead actor Jeff Goldblum excellently embodies the eccentric scientist and his metamorphosis – with all the physical and psychological changes, right down to the loss of his humanity.
Major praise also goes to makeup artists Chris Walas and Stephan Dupuis, who were awarded the Oscar in 1987 in the »Best Makeup« category for the drastic body horror effects.
For us, »The Fly« is simply THE ultimate body horror film. It has earned an honorary place in cinema history and, of course, in every horror movie collection.
In 1957, the underlying short story by author George Langelaan was published in Playboy magazine. Just one year later, »The Fly« was adapted for the screen under the direction of Kurt Neumann. The scientist André Delambre has invented a teleportation machine. During a self-experiment, he overlooks a fly inside the device, and the machine crosses the two with each other: Delambre now has a gigantic fly head and a fly arm, while the fly has a human head and arm. Delambre hides his monstrous head under a cloth and is unable to speak. The revelation of his appearance forms the dramatic climax of the film.
When first watching the Cronenberg film, many viewers surely still had the original in mind, and the movie poster also laid a matching false trail. On the poster, you see the scientist – named Seth Brundle here – inside his teleportation machine. The center of the image is overexposed, so his head cannot be seen. You only see a human arm reaching out and a fly leg stretching forth.
When Brundle then teleports himself in his self-experiment – surprise! –, he emerges from the machine completely unharmed. At first, he feels truly great: stronger, more alert, and convinced that the transportation process has a purifying effect. But he slowly begins to change, and a computer analysis of the transporter log uncovers the horrifying truth: his DNA has fused with the DNA of a housefly.
His gradual transformation is body horror at its absolute finest. Lead actor Jeff Goldblum excellently embodies the eccentric scientist and his metamorphosis – with all the physical and psychological changes, right down to the loss of his humanity.
Major praise also goes to makeup artists Chris Walas and Stephan Dupuis, who were awarded the Oscar in 1987 in the »Best Makeup« category for the drastic body horror effects.
For us, »The Fly« is simply THE ultimate body horror film. It has earned an honorary place in cinema history and, of course, in every horror movie collection.
13.08.2026 •
It's going to be hot again today. So, it makes sense to escape into a pleasantly air-conditioned movie theater. This Thursday, however, it’s more than just the AC that’s drawing us to a screening. We have two films on our list that we believe are definitely worth a trip to the movies – completely regardless of the weather.
»The End of Oak Street« is the latest work by David Robert Mitchell, who already knew how to thrill us with his previous two films, »It Follows« and »Under the Silver Lake«. The plot centers on the Platt family, who discover that an inexplicable cosmic event has displaced their entire neighborhood on Oak Street to an unknown location, and perhaps even a different time. In this otherworldly realm, dinosaurs roam free, and the family – mother Denise (Anne Hathaway), father Greg (Ewan McGregor), and their two children Brian and Audrey – must fight for survival. We were hooked right after watching the trailer and can't wait to find out more:
https://youtu.be/3oB9AxspVow
The Japanese film »Exit 8« is based on the short indie game of the same name that went viral online. Director Genki Kawamura sends a young man into a subway corridor that constantly repeats itself in a seemingly endless loop. To escape, he must find “Exit 8”. The rules are simple: If you spot an anomaly, turn back immediately. If not, keep walking. Finally, leave the corridor through Exit 8. However, a single moment of carelessness throws the protagonist right back to the beginning. Will he ever reach his goal and escape this infinite hallway?
The endless corridors in the film's trailer instantly exude a certain »Backrooms« vibe:
https://youtu.be/4fIaG1RjWMU
That alone makes the film a total must-see for us. What about you?
»The End of Oak Street« is the latest work by David Robert Mitchell, who already knew how to thrill us with his previous two films, »It Follows« and »Under the Silver Lake«. The plot centers on the Platt family, who discover that an inexplicable cosmic event has displaced their entire neighborhood on Oak Street to an unknown location, and perhaps even a different time. In this otherworldly realm, dinosaurs roam free, and the family – mother Denise (Anne Hathaway), father Greg (Ewan McGregor), and their two children Brian and Audrey – must fight for survival. We were hooked right after watching the trailer and can't wait to find out more:
https://youtu.be/3oB9AxspVow
The Japanese film »Exit 8« is based on the short indie game of the same name that went viral online. Director Genki Kawamura sends a young man into a subway corridor that constantly repeats itself in a seemingly endless loop. To escape, he must find “Exit 8”. The rules are simple: If you spot an anomaly, turn back immediately. If not, keep walking. Finally, leave the corridor through Exit 8. However, a single moment of carelessness throws the protagonist right back to the beginning. Will he ever reach his goal and escape this infinite hallway?
The endless corridors in the film's trailer instantly exude a certain »Backrooms« vibe:
https://youtu.be/4fIaG1RjWMU
That alone makes the film a total must-see for us. What about you?
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