News
17.03.2026 • AN ALIEN INVASION LIKE IT IS STILL THE 90s
2026 is shaping up to be the year of the big science-fiction blockbuster. »Project Hail Mary« is hitting cinemas this Thursday, we already covered and praised »Good Luck, Have Fun, Don't Die« in detail last week, and in the months ahead we can look forward to »The Mandalorian & Grogu«, »Supergirl«, »Avengers: Doomsday«, and »Dune 3«. It is only fitting, then, that the grand master of the genre himself, Steven Spielberg, is returning to the big screen with a battle of fictional technology for the first time since 2018's »Ready Player One«. In his new epic »Disclosure Day«, Emily Blunt and Josh O'Connor set out to prove to the world that we are not alone in the universe (perhaps not even on our own planet?) – something the government and antagonist Colin Firth (it's a delight seeing him as an evil character instead of the lovable geeks he so often plays) are trying to keep hidden at any cost.
The trailer presents Spielberg in a mystical mode, very much in the tradition of »Close Encounters of the Third Kind«, with grand imagery, subliminal messages, gripping action, and a strong lead cast.
The involvement of now 94-year-old film composer legend John Williams also promises the perfect popcorn atmosphere, sweeping cinematic emotion, and the ideal reason to put your phone and streaming services aside this June to sink into a big, soft red velvet cinema seat.
Watch the action-packed new trailer here:
https://youtu.be/SCYT8vb2siQ
The trailer presents Spielberg in a mystical mode, very much in the tradition of »Close Encounters of the Third Kind«, with grand imagery, subliminal messages, gripping action, and a strong lead cast.
The involvement of now 94-year-old film composer legend John Williams also promises the perfect popcorn atmosphere, sweeping cinematic emotion, and the ideal reason to put your phone and streaming services aside this June to sink into a big, soft red velvet cinema seat.
Watch the action-packed new trailer here:
https://youtu.be/SCYT8vb2siQ
16.03.2026 • AND THE OSCAR GOES TO...
Last night, the 98th Academy Awards ceremony took place at the Dolby Theatre in Los Angeles. Conan O'Brien once again served as host. The show opened with a very funny video clip in which O'Brien, wearing the Aunt Gladys mask from »Weapons«, is chased by children through sets of various nominated films. A later clip from a reworked version of »Casablanca« perfectly illustrates the absurdity of modern screenplays, where dialogue is tailored to second-screen behavior (when viewers are glued to their phones while watching the film). O'Brien didn't land every joke during his hosting duties, nor did every presentation hit the mark. Overall, the Oscars gala felt somewhat joyless and less glamorous than usual. Aside from a few minor jabs, the event was relatively tame in terms of commentary on current events.
The annual In Memoriam segment, honoring those who passed away, was somewhat longer than usual due to the many deaths. Rob Reiner and his wife, Michele Singer, were given special tribute in a eulogy by Billy Crystal. Rachel McAdams paid tribute to Claudia Cardinale, Diane Ladd, Catherine O'Hara, and especially Diane Keaton. Barbra Streisand's eulogy for Robert Redford was rather awkward and cringeworthy, as it focused more on her than on Redford.
The musical portion of the gala was relatively short. Only »I Lied to You« from »Sinners« and »Golden« from »K-Pop Demon Hunters« were performed live on stage.
But now to the awards:
The big winner of the evening was »One Battle After Another«. The film received 13 nominations and won six Oscars, including BEST PICTURE, BEST EDITING, and the newly created award BEST CASTING. Sean Penn, who was not present, was awarded BEST SUPPORTING ACTOR, and Paul Thomas Anderson finally won for BEST ADAPTED SCREENPLAY and BEST DIRECTOR.
The 16-time nominee »Sinners« took home four Academy Awards. Ryan Coogler won for BEST ORIGINAL SCREENPLAY. Ludwig Göransson received his third Oscar for BEST ORIGINAL SCORE. Autumn Durald Arkapaw became the first woman to win the golden statuette for BEST CINEMATOGRAPHY. Michael B. Jordan was awarded the Oscar for BEST ACTOR. Timothée Chalamet in »Marty Supreme« had long been considered the favorite in this category. However, the film, which received nine nominations, went home empty-handed that evening.
»Frankenstein« went into the competition with nine nominations as well, and won three awards for its visual spectacle: BEST COSTUME DESIGN, BEST MAKEUP AND HAIRSTYLING, and BEST PRODUCTION DESIGN.
The two Oscars for »K-Pop Demon Hunters« came as no surprise: BEST ANIMATED FEATURE and BEST ORIGINAL SONG for »Golden«.
»Avatar: Fire and Ash« won the award for BEST VISUAL EFFECTS, which was also unsurprising. Jessie Buckley's Oscar for »Hamnet« was considered a sure thing, too. The film received eight nominations, of which only Buckley won for BEST ACTRESS, accepting the award with a very emotional speech. We were somewhat surprised, but delighted, by Amy Madigan's Oscar for BEST SUPPORTING ACTRESS in »Weapons«. The Norwegian film »Sentimental Value« went into the competition with nine nominations and won BEST INTERNATIONAL FILM. »F1« took home the award for BEST SOUND.
Besides »Marty Supreme«, »Bugonia«, »The Secret Agent«, »Train Dreams«, and »Blue Moon« also went home empty-handed.
Here's a look at all the winners and nominees:
https://www.oscars.org/oscars/ceremonies/2026
Are you happy with the Oscars? How many did you predict correctly?
The annual In Memoriam segment, honoring those who passed away, was somewhat longer than usual due to the many deaths. Rob Reiner and his wife, Michele Singer, were given special tribute in a eulogy by Billy Crystal. Rachel McAdams paid tribute to Claudia Cardinale, Diane Ladd, Catherine O'Hara, and especially Diane Keaton. Barbra Streisand's eulogy for Robert Redford was rather awkward and cringeworthy, as it focused more on her than on Redford.
The musical portion of the gala was relatively short. Only »I Lied to You« from »Sinners« and »Golden« from »K-Pop Demon Hunters« were performed live on stage.
But now to the awards:
The big winner of the evening was »One Battle After Another«. The film received 13 nominations and won six Oscars, including BEST PICTURE, BEST EDITING, and the newly created award BEST CASTING. Sean Penn, who was not present, was awarded BEST SUPPORTING ACTOR, and Paul Thomas Anderson finally won for BEST ADAPTED SCREENPLAY and BEST DIRECTOR.
The 16-time nominee »Sinners« took home four Academy Awards. Ryan Coogler won for BEST ORIGINAL SCREENPLAY. Ludwig Göransson received his third Oscar for BEST ORIGINAL SCORE. Autumn Durald Arkapaw became the first woman to win the golden statuette for BEST CINEMATOGRAPHY. Michael B. Jordan was awarded the Oscar for BEST ACTOR. Timothée Chalamet in »Marty Supreme« had long been considered the favorite in this category. However, the film, which received nine nominations, went home empty-handed that evening.
»Frankenstein« went into the competition with nine nominations as well, and won three awards for its visual spectacle: BEST COSTUME DESIGN, BEST MAKEUP AND HAIRSTYLING, and BEST PRODUCTION DESIGN.
The two Oscars for »K-Pop Demon Hunters« came as no surprise: BEST ANIMATED FEATURE and BEST ORIGINAL SONG for »Golden«.
»Avatar: Fire and Ash« won the award for BEST VISUAL EFFECTS, which was also unsurprising. Jessie Buckley's Oscar for »Hamnet« was considered a sure thing, too. The film received eight nominations, of which only Buckley won for BEST ACTRESS, accepting the award with a very emotional speech. We were somewhat surprised, but delighted, by Amy Madigan's Oscar for BEST SUPPORTING ACTRESS in »Weapons«. The Norwegian film »Sentimental Value« went into the competition with nine nominations and won BEST INTERNATIONAL FILM. »F1« took home the award for BEST SOUND.
Besides »Marty Supreme«, »Bugonia«, »The Secret Agent«, »Train Dreams«, and »Blue Moon« also went home empty-handed.
Here's a look at all the winners and nominees:
https://www.oscars.org/oscars/ceremonies/2026
Are you happy with the Oscars? How many did you predict correctly?
12.03.2026 • GOOD LUCK, HAVE FUN, DON'T DIE
After 10 years, Gore Verbinski returns to the big screen. In »Good Luck, Have Fun, Don't Die« he takes us on a wild ride. Mick saw the film in a preview – here's his impression:
One evening, a down-and-out guy (Sam Rockwell) walks into Norm's Diner in Los Angeles. He claims to be from the future and says he needs to recruit volunteers to join him on a mission to save the world. The diner guests don't believe him and think he's just a crazy homeless person. The man from the future explains that this is already his 117th try and that he needs to find the perfect combination of customers to save the world from the deadly threat of artificial intelligence. He also threatens to blow up the entire diner with a bomb he's wearing. Finally, a motley crew of volunteers gathers: single mother Susan (Juno Temple), the relationship-troubled teacher couple Mark (Michael Peña) and Janet (Zazie Beetz), cake lover Marie (Georgia Goodman), assistant scout leader Bob (Daniel Barnett), Uber driver Scott (Asim Chaudhry), and children's birthday princess Ingrid (Haley Lu Richardson)...
The first ten minutes of the film are a true tour de force from Sam Rockwell. It's a delightful pleasure to follow him and his monologue as he whirls through the diner like a hurricane. With this scene alone, the film had me completely hooked.
As they work toward fulfilling their mission, Verbinski intersperses flashbacks from the backstories of some of the volunteers. We witness teachers Mark and Janet's last day of school, a traumatic event in Susan's life, and a few glimpses into Ingrid's past. The individual flashbacks are strongly reminiscent of episodes from »Black Mirror«. They begin in a slightly exaggerated everyday life scenario and then escalate into the absurd and surreal. The matter-of-factness of the absurd, for example in the behavior of the Fashionable Moms, even reminded me of Buñuel's »The Phantom of Liberty«.
One is also inevitably reminded of other time-travel dystopias. The time traveler's costume, with its transparent raincoat and all the retro-futuristic gadgets and tubes, is reminiscent of »12 Monkeys«, and there are also some parallels to Terry Gilliam's film in its resolution. Elements from »The Matrix« will also be recognizable. Last but not least, »The Terminator« served as inspiration, where the antagonist is also an artificial intelligence threatening the world. The fact that the hero of our story is such a down-and-out guy and not a superhero only underscores how badly humanity has screwed up the future. The time-loop concept from »Groundhog Day«, or, more closely related, from »Source Code«, also reappears. While we only experience one loop, the behavior of the nameless man from the future allows us to draw conclusions about all the missions that have already failed.
The film highlights the dangers of technology. Even in today's world, we clearly see the problems: how technology and the internet all too often alienate us from one another, and how all the swiping on our smartphones is making us increasingly stupid, with AI as the kraken controlling everything at its center. Admittedly, the critique of society is rather heavy-handed, but that doesn't detract from the fun. I loved it, especially the fact that the plot is unpredictable and that Verbinski unleashes his pent-up creative energy, ultimately going completely off the rails.
One evening, a down-and-out guy (Sam Rockwell) walks into Norm's Diner in Los Angeles. He claims to be from the future and says he needs to recruit volunteers to join him on a mission to save the world. The diner guests don't believe him and think he's just a crazy homeless person. The man from the future explains that this is already his 117th try and that he needs to find the perfect combination of customers to save the world from the deadly threat of artificial intelligence. He also threatens to blow up the entire diner with a bomb he's wearing. Finally, a motley crew of volunteers gathers: single mother Susan (Juno Temple), the relationship-troubled teacher couple Mark (Michael Peña) and Janet (Zazie Beetz), cake lover Marie (Georgia Goodman), assistant scout leader Bob (Daniel Barnett), Uber driver Scott (Asim Chaudhry), and children's birthday princess Ingrid (Haley Lu Richardson)...
The first ten minutes of the film are a true tour de force from Sam Rockwell. It's a delightful pleasure to follow him and his monologue as he whirls through the diner like a hurricane. With this scene alone, the film had me completely hooked.
As they work toward fulfilling their mission, Verbinski intersperses flashbacks from the backstories of some of the volunteers. We witness teachers Mark and Janet's last day of school, a traumatic event in Susan's life, and a few glimpses into Ingrid's past. The individual flashbacks are strongly reminiscent of episodes from »Black Mirror«. They begin in a slightly exaggerated everyday life scenario and then escalate into the absurd and surreal. The matter-of-factness of the absurd, for example in the behavior of the Fashionable Moms, even reminded me of Buñuel's »The Phantom of Liberty«.
One is also inevitably reminded of other time-travel dystopias. The time traveler's costume, with its transparent raincoat and all the retro-futuristic gadgets and tubes, is reminiscent of »12 Monkeys«, and there are also some parallels to Terry Gilliam's film in its resolution. Elements from »The Matrix« will also be recognizable. Last but not least, »The Terminator« served as inspiration, where the antagonist is also an artificial intelligence threatening the world. The fact that the hero of our story is such a down-and-out guy and not a superhero only underscores how badly humanity has screwed up the future. The time-loop concept from »Groundhog Day«, or, more closely related, from »Source Code«, also reappears. While we only experience one loop, the behavior of the nameless man from the future allows us to draw conclusions about all the missions that have already failed.
The film highlights the dangers of technology. Even in today's world, we clearly see the problems: how technology and the internet all too often alienate us from one another, and how all the swiping on our smartphones is making us increasingly stupid, with AI as the kraken controlling everything at its center. Admittedly, the critique of society is rather heavy-handed, but that doesn't detract from the fun. I loved it, especially the fact that the plot is unpredictable and that Verbinski unleashes his pent-up creative energy, ultimately going completely off the rails.
11.03.2026 • S.P.A.C.E POSTCARD COLLECTION FEBRUARY 2026
Better late than never, here's our slightly different Valentine's Day greeting! We actually wanted to show you our February postcard right on time for Valentine's Day. Unfortunately, the postal service decided to send the card itself on a little journey through the galaxy first. 🚀📦
In short: It arrived at the photographer's too late – and therefore too late for our usual postcard post. But for the sake of completeness, we're making up for it now. The card itself is already history and no longer in the current packages.
The image is by Gabriel, and poses an important question: How do Ewoks actually celebrate Valentine's Day? Instead of sending flowers or writing love letters, this Ewok was apparently a little too enthusiastic with a bow and arrow – and was probably a bit rougher than Cupid. The result: two fewer Stormtroopers – and even General Grievous sadly didn't survive the day of love. Romance on Endor apparently looks a little different. 💘
Of course, such things don't go unpunished in the Empire. For the presentation photo, Gabriel imagined how the famously merciful Darth Vader might react. His solution: The Ewok is promptly frozen in carbonite. In the background, Stormtroopers are already transporting the culprit away – along with a framed picture, presumably for redecorating the Death Star.
Various figures from Hasbro's Black Series (some specially repainted and customized) were used for the photos. This includes the Ewok in the Valentine's Day version, which has recently been wreaking havoc in our warehouse as well. You can find the figure in our shop:
https://www.space-figuren.de/Filme/Star-Wars/6-Ewok-Valentines-Day-Version-Star-Wars-The-Black-Series::29731.html
Many thanks to Gabriel for this wonderfully morbid Valentine's Day scenario!
📸 by @gbalda
In short: It arrived at the photographer's too late – and therefore too late for our usual postcard post. But for the sake of completeness, we're making up for it now. The card itself is already history and no longer in the current packages.
The image is by Gabriel, and poses an important question: How do Ewoks actually celebrate Valentine's Day? Instead of sending flowers or writing love letters, this Ewok was apparently a little too enthusiastic with a bow and arrow – and was probably a bit rougher than Cupid. The result: two fewer Stormtroopers – and even General Grievous sadly didn't survive the day of love. Romance on Endor apparently looks a little different. 💘
Of course, such things don't go unpunished in the Empire. For the presentation photo, Gabriel imagined how the famously merciful Darth Vader might react. His solution: The Ewok is promptly frozen in carbonite. In the background, Stormtroopers are already transporting the culprit away – along with a framed picture, presumably for redecorating the Death Star.
Various figures from Hasbro's Black Series (some specially repainted and customized) were used for the photos. This includes the Ewok in the Valentine's Day version, which has recently been wreaking havoc in our warehouse as well. You can find the figure in our shop:
https://www.space-figuren.de/Filme/Star-Wars/6-Ewok-Valentines-Day-Version-Star-Wars-The-Black-Series::29731.html
Many thanks to Gabriel for this wonderfully morbid Valentine's Day scenario!
📸 by @gbalda
10.03.2026 • INTO THE GRAND LINE!
Set sail, it's time again! Season 2 of the live-action adaptation of »One Piece« premieres today on Netflix.
The eight new episodes pick up right where the first season left off and take us to new waters, as the Straw Hat Pirates Monkey D. Luffy (Iñaki Godoy), Roronoa Zoro (Mackenyu), Nami (Emily Rudd), Usopp (Jacob Romero), and Sanji (Taz Skylar) head for the legendary Grand Line, the most dangerous sea route in the world. Their journey takes them to places like Loguetown, Little Garden, and Drum Island. Along the way, they encounter not only ruthless adversaries like Buggy and the assassins of Baroque Works, but also other great dangers such as whales, giants, and dinosaurs – Season 2 seems to be raising the bar even higher than the first. Hardly any absurdity from the source material is left out, and that's precisely what makes the series so captivating. Eiichirō Oda's work is continued here with heart and attention to detail – and we're so excited to set sail again with our favorite pirate crew!
But we don't just get new stuff from the »One Piece« series on screen – just in time for the second season, Hot Toys has announced an adorable and plush Chopper figure, which you can pre-order from us now. On the other hand, you don't have to wait any longer for Zoro and Luffy in 1/6 scale, which we recently added to our stock. You can find these and other cool collectibles in our »One Piece« category:
https://www.space-figuren.de/Serien/One-Piece:::4682_5570.html
The eight new episodes pick up right where the first season left off and take us to new waters, as the Straw Hat Pirates Monkey D. Luffy (Iñaki Godoy), Roronoa Zoro (Mackenyu), Nami (Emily Rudd), Usopp (Jacob Romero), and Sanji (Taz Skylar) head for the legendary Grand Line, the most dangerous sea route in the world. Their journey takes them to places like Loguetown, Little Garden, and Drum Island. Along the way, they encounter not only ruthless adversaries like Buggy and the assassins of Baroque Works, but also other great dangers such as whales, giants, and dinosaurs – Season 2 seems to be raising the bar even higher than the first. Hardly any absurdity from the source material is left out, and that's precisely what makes the series so captivating. Eiichirō Oda's work is continued here with heart and attention to detail – and we're so excited to set sail again with our favorite pirate crew!
But we don't just get new stuff from the »One Piece« series on screen – just in time for the second season, Hot Toys has announced an adorable and plush Chopper figure, which you can pre-order from us now. On the other hand, you don't have to wait any longer for Zoro and Luffy in 1/6 scale, which we recently added to our stock. You can find these and other cool collectibles in our »One Piece« category:
https://www.space-figuren.de/Serien/One-Piece:::4682_5570.html
09.03.2026 • IN BRIGHTEST DAY, IN DARKEST NIGHT …
Superhero stories are always at their most compelling when they explore how deeply human, flawed characters handle near-limitless power and the ability to turn themselves into gods among men. This week, we got trailers for two series that offer very different answers to that question.
The fifth and final season of »The Boys« premieres on April 8 with its first two episodes. In a series that has never shied away from explicit content, it is safe to assume that the finale will outdo everything that came before. There have never really been many truly lovable characters here anyway, only a spiral of violence and a grotesque mirror of our society. With Homelander at the height of his power as a fascist quasi-deity – seen in this trailer sitting in the Oval Office and being worshipped by his followers – Butcher and Kimiko God knows where, and Hughie, Mother's Milk, and Frenchie locked away in a concentration camp, all hope now rests on the resistance founded by Starlight and the recently redeemed A-Train, which, since the end of »Gen V«, also includes Marie as yet another powerful Supe. The trailer promises an incredibly bombastic ending to a series that has delivered insane quality from the very beginning:
https://youtu.be/XNQbH1SDPRk
We are certainly not expecting a happy ending, but according to showrunner Eric Kripke, at least one that will permanently change the entire world order of »The Boys«.
John Stewart (Aaron Pierre), on the other hand, is only at the very beginning of his story in the new DCU series »Lanterns«, launching this August, in which he joins his mentor Hal Jordan (Kyle Chandler) to investigate a mysterious murder in Nebraska. Starting the Green Lantern story this time as a grounded crime series is probably the best possible way to finally erase the 15-year-old live-action disaster from people's minds. Instead of CGI costumes, we see two investigators trying to solve a case in true »True Detective« fashion. This teaser trailer is barely even green at all and aside from one brief shot of Hal Jordan flying, there are hardly any superpowers on display:
https://youtu.be/Z1jcPlGXnMo
By the way, also confirmed for the series is a third Green Lantern: Nathan Fillion will reprise his role as Guy Gardner from »Superman« and »Peacemaker«, further tying the show into the larger shared universe.
The fifth and final season of »The Boys« premieres on April 8 with its first two episodes. In a series that has never shied away from explicit content, it is safe to assume that the finale will outdo everything that came before. There have never really been many truly lovable characters here anyway, only a spiral of violence and a grotesque mirror of our society. With Homelander at the height of his power as a fascist quasi-deity – seen in this trailer sitting in the Oval Office and being worshipped by his followers – Butcher and Kimiko God knows where, and Hughie, Mother's Milk, and Frenchie locked away in a concentration camp, all hope now rests on the resistance founded by Starlight and the recently redeemed A-Train, which, since the end of »Gen V«, also includes Marie as yet another powerful Supe. The trailer promises an incredibly bombastic ending to a series that has delivered insane quality from the very beginning:
https://youtu.be/XNQbH1SDPRk
We are certainly not expecting a happy ending, but according to showrunner Eric Kripke, at least one that will permanently change the entire world order of »The Boys«.
John Stewart (Aaron Pierre), on the other hand, is only at the very beginning of his story in the new DCU series »Lanterns«, launching this August, in which he joins his mentor Hal Jordan (Kyle Chandler) to investigate a mysterious murder in Nebraska. Starting the Green Lantern story this time as a grounded crime series is probably the best possible way to finally erase the 15-year-old live-action disaster from people's minds. Instead of CGI costumes, we see two investigators trying to solve a case in true »True Detective« fashion. This teaser trailer is barely even green at all and aside from one brief shot of Hal Jordan flying, there are hardly any superpowers on display:
https://youtu.be/Z1jcPlGXnMo
By the way, also confirmed for the series is a third Green Lantern: Nathan Fillion will reprise his role as Guy Gardner from »Superman« and »Peacemaker«, further tying the show into the larger shared universe.
06.03.2026 • THERE CAN BE ONLY ONE!
40 years ago tomorrow, a film premiered in American cinemas whose incredible success no one at the time would have predicted: »Highlander«, starring Frenchman Christopher Lambert as the Scottish Connor MacLeod (who barely spoke a word of English at the time) and Scotsman Sean Connery as an Egyptian with the melodious Spanish name Juan Sánchez-Villalobos Ramírez.
The story revolves around several immortals, of whom, for whatever reason, there can only be one, and who therefore behead each other with swords. This doesn't prevent them from being friends, however, allowing Ramírez to become a mentor to the Highlander MacLeod.
The film's plot begins in New York City in 1985. In the underground parking garage of Madison Square Garden, we witness the first sword duel between Connor MacLeod and another immortal named Iman Fasil, who ultimately loses his head.
When we rewatched the film after a long time, we couldn't help but wonder why Iman Fasil (stunt coordinator Peter Diamond) prefers to move forward using back handsprings. The fact that all the car headlights come on and all the engines start after MacLeod decapitates him also seems a bit cheesy by today's standards. But the film doesn't dwell on questions. If you can accept that, you can have a lot of fun with this 80s fantasy action flick.
The film was directed by Australian Russell Mulcahy, who previously made his living directing music videos. This influence is clearly evident in the film. Mulcahy has a knack for lighting, flashes of light, fog machines, and elegant editing, including some very effective match cuts that connect the different timelines the movie takes us through. The episodes of MacLeod's long life begin in 1536 in the Scottish Highlands, continue through 1541, 1587, Boston in 1783, through World War II in 1943, and finally to New York in 1985.
Also worth mentioning is the story's antagonist, Victor "The Kurgan" Kruger, whom the young Clancy Brown portrays wonderfully over-the-top with memorable one-liners: "Hi. I'm Candy." – "Of course you are..."
Then, of course, there's the soundtrack by Michael Kamen and the songs by Queen. In »Who Wants To Live Forever«, the beauty of the Scottish landscape and the tragedy of immortality culminate when the aging Heather (Beatie Edney) dies in MacLeod's arms.
The film received mixed reviews at the time, but it performed very well at the box office, and, true to its immortal Highlander roots, it enjoyed further success, first on VHS, and later on DVD and Blu-ray.
Several sequels followed: »Highlander II: The Quickening« in 1991, »Highlander III: The Sorcerer« in 1994, and the spin-off series »Highlander« (1992–1998) starring Adrian Paul as Duncan MacLeod, an immortal from the same clan as Connor. »Highlander: Endgame« with Duncan and Connor hit cinemas in 2000, and finally, »Highlander: The Source« was released in September 2007 on the SciFi Channel.
A »Highlander« remake, directed by Chad Stahelski (»John Wick«), is currently in production, starring Henry Cavill as MacLeod, Russell Crowe as Ramirez, and Dave Bautista as Kurgan.
MacLeod and Kurgan action figures were released by NECA in 2005 in 7-inch scale. Around the same time, Sideshow released Connor in his New York trench coat outfit as a 1/6 scale figure. In 2017, he appeared in a kilt in a 1/6 scale release by Kaustic Plastik. Of course, all of these are long sold out or only available on the secondary market. But the good news is that you can currently pre-order a state-of-the-art Connor MacLeod in 1/6 scale from Iconiq Studios:
https://www.space-figuren.de/Movies/Highlander/1-6-Scale-Connor-MacLeod-Highlander::28743.html
Have fun, and don't lose your heads!
The story revolves around several immortals, of whom, for whatever reason, there can only be one, and who therefore behead each other with swords. This doesn't prevent them from being friends, however, allowing Ramírez to become a mentor to the Highlander MacLeod.
The film's plot begins in New York City in 1985. In the underground parking garage of Madison Square Garden, we witness the first sword duel between Connor MacLeod and another immortal named Iman Fasil, who ultimately loses his head.
When we rewatched the film after a long time, we couldn't help but wonder why Iman Fasil (stunt coordinator Peter Diamond) prefers to move forward using back handsprings. The fact that all the car headlights come on and all the engines start after MacLeod decapitates him also seems a bit cheesy by today's standards. But the film doesn't dwell on questions. If you can accept that, you can have a lot of fun with this 80s fantasy action flick.
The film was directed by Australian Russell Mulcahy, who previously made his living directing music videos. This influence is clearly evident in the film. Mulcahy has a knack for lighting, flashes of light, fog machines, and elegant editing, including some very effective match cuts that connect the different timelines the movie takes us through. The episodes of MacLeod's long life begin in 1536 in the Scottish Highlands, continue through 1541, 1587, Boston in 1783, through World War II in 1943, and finally to New York in 1985.
Also worth mentioning is the story's antagonist, Victor "The Kurgan" Kruger, whom the young Clancy Brown portrays wonderfully over-the-top with memorable one-liners: "Hi. I'm Candy." – "Of course you are..."
Then, of course, there's the soundtrack by Michael Kamen and the songs by Queen. In »Who Wants To Live Forever«, the beauty of the Scottish landscape and the tragedy of immortality culminate when the aging Heather (Beatie Edney) dies in MacLeod's arms.
The film received mixed reviews at the time, but it performed very well at the box office, and, true to its immortal Highlander roots, it enjoyed further success, first on VHS, and later on DVD and Blu-ray.
Several sequels followed: »Highlander II: The Quickening« in 1991, »Highlander III: The Sorcerer« in 1994, and the spin-off series »Highlander« (1992–1998) starring Adrian Paul as Duncan MacLeod, an immortal from the same clan as Connor. »Highlander: Endgame« with Duncan and Connor hit cinemas in 2000, and finally, »Highlander: The Source« was released in September 2007 on the SciFi Channel.
A »Highlander« remake, directed by Chad Stahelski (»John Wick«), is currently in production, starring Henry Cavill as MacLeod, Russell Crowe as Ramirez, and Dave Bautista as Kurgan.
MacLeod and Kurgan action figures were released by NECA in 2005 in 7-inch scale. Around the same time, Sideshow released Connor in his New York trench coat outfit as a 1/6 scale figure. In 2017, he appeared in a kilt in a 1/6 scale release by Kaustic Plastik. Of course, all of these are long sold out or only available on the secondary market. But the good news is that you can currently pre-order a state-of-the-art Connor MacLeod in 1/6 scale from Iconiq Studios:
https://www.space-figuren.de/Movies/Highlander/1-6-Scale-Connor-MacLeod-Highlander::28743.html
Have fun, and don't lose your heads!
05.03.2026 • NEUES AUS DEM FIGUREN UNIVERSUM - EPISODE 35
Sven and Joanna take you to the S.P.A.C.E Studio for a new episode of 💫 NEUES AUS DEM FIGUREN UNIVERSUM 💫! This time, the Witch of the Woods, a truly magical Sideshow Original, awaits you. Also featured are our February Product of the Month, the Link PVC Statue from First 4 Figures, two awesome 1/6 scale figures from Hot Toys, and a fantastic highlight from Doctor Collector for fans of »Stranger Things«. We've also picked out some amazing collectibles from our pre-order section – most notably, of course, Kaustic Plastik's and Infinite's interpretations of Eric Draven. 🐦⬛
We present to you these and other wonderful collectibles in NADFU episode 35 – available now on YouTube:
https://youtu.be/4xCo7xtlM68
We present to you these and other wonderful collectibles in NADFU episode 35 – available now on YouTube:
https://youtu.be/4xCo7xtlM68
05.03.2026 • THE BRIDE
If you don't find our Mick at home in the evening, chances are he's at the cinema again. That was the case yesterday, when he saw a preview screening of Maggie Gyllenhaal's »The Bride!«. Let's hear it, Mick, what did you think of the film?
In James Whale's »Bride of Frankenstein« from 1935, Dr. Frankenstein and Dr. Pretorius create a companion for the monster (Boris Karloff). Tragically, the creature recoils from the monster, his love remains unrequited. And so, there is only one memorable scene with the bride before the monster blows up the laboratory. Even though we only see her in this one scene, she has become an icon of classic horror cinema. Elsa Lanchester plays the bride and, in a prologue to the story, also the author Mary Wollstonecraft Shelley.
We find this dual role, albeit in a modified form, in Gyllenhaal's film as well. Jessie Buckley portrays both characters. In Gyllenhaal's film, the bride is finally allowed more space and to emancipate herself.
The film opens with Mary Shelley, who addresses us theatrically in a high-contrast black-and-white close-up. She introduces herself as the creator of »Frankenstein«, explains that she still had many plans, but illness and her death prevented them, and that she is searching for a way to escape her grave. This is terribly pretentious, and the film had already lost me before it even really began, even though I had been really looking forward to it.
Mary introduces us to Ida at a Mafia ball in Chicago in the early 1930s. Ida is suddenly possessed with Mary, torrents of words pouring out of her with an English accent as if she had Tourette syndrome. Ida also levels serious accusations against the leading Mafia boss, thus sealing her fate, and she quickly meets her death.
Christian Bale embodies Frankenstein's monster. His makeup is somewhat reminiscent of Karloff's mask. Bale portrays him as a lonely, sympathetic, and sensitive character. He loves the cinema, especially the dance films of that era. His on-screen hero is Ronnie Reed, played by Maggie's brother, Jake Gyllenhaal (somewhat underutilized in the role). When Frank fantasizes himself into a movie in a tailcoat and top hat, it reminds me of similar scenes from Mel Brooks's »Young Frankenstein«, and I wondered: Perhaps it's all not meant to be taken seriously?
Frank suffers immensely from loneliness and longs for a companion. He asks the brilliant scientist Dr. Euphronius, solidly portrayed by Annette Bening, for help. They exhume Ida's body and bring it to Euphronius's laboratory, where the Bride is revived. She has no memory of her life, and she is told that she is Frank's Bride and that she has suffered an accident.
Jessie Buckley as the Bride is truly a force of nature. I recently saw her in her Oscar-nominated role in »Hamnet«, and now her brilliant portrayal of the Bride, in which she unleashes an incredibly wide range of emotions – vulnerable at times, unleashed, freaky, brutal. She practically bursts off the screen.
Then there are the detectives Jake Wiles, played by Gyllenhaal's husband Peter Sarsgaard, and Myrna Mallow , portrayed by Penélope Cruz. The two are hot on the trail of the monsters, with Myrna being the clever one, but as a woman in the 1930s, she doesn't have much say.
Technically, the film is brilliant. The cinematography, set design, costumes, and overall production are all top-notch. Bale and Buckley also deliver compelling performances, and there are some truly great scenes. However, the film tries to do too much and feels somewhat disjointed. There's a truly great dance scene, but it seems to be more of an end in itself. As expected, the theme is female empowerment, which is presented for much of the film as a punky »Bonnie and Clyde« ballad, ultimately veering into »Joker« and (even worse) »Joker: Folie à Deux«.
Maggie Gyllenhaal takes a risk, but to me, the whole thing feels overambitious and, despite its undeniable quality, quite cumbersome. Ultimately, it feels like style over substance. I couldn't fully enjoy the film. Some aspects, like Penélope Cruz's role, are simply too on the nose for my taste, causing the film to undermine itself and its message. I'm not saying »The Bride!« is a bad movie, but it didn't hook me and was, unfortunately, disappointing. However, I've also read and seen reviews that praise it, so it's best to form your own opinion. Let me know in the comments how you experienced the film!
In James Whale's »Bride of Frankenstein« from 1935, Dr. Frankenstein and Dr. Pretorius create a companion for the monster (Boris Karloff). Tragically, the creature recoils from the monster, his love remains unrequited. And so, there is only one memorable scene with the bride before the monster blows up the laboratory. Even though we only see her in this one scene, she has become an icon of classic horror cinema. Elsa Lanchester plays the bride and, in a prologue to the story, also the author Mary Wollstonecraft Shelley.
We find this dual role, albeit in a modified form, in Gyllenhaal's film as well. Jessie Buckley portrays both characters. In Gyllenhaal's film, the bride is finally allowed more space and to emancipate herself.
The film opens with Mary Shelley, who addresses us theatrically in a high-contrast black-and-white close-up. She introduces herself as the creator of »Frankenstein«, explains that she still had many plans, but illness and her death prevented them, and that she is searching for a way to escape her grave. This is terribly pretentious, and the film had already lost me before it even really began, even though I had been really looking forward to it.
Mary introduces us to Ida at a Mafia ball in Chicago in the early 1930s. Ida is suddenly possessed with Mary, torrents of words pouring out of her with an English accent as if she had Tourette syndrome. Ida also levels serious accusations against the leading Mafia boss, thus sealing her fate, and she quickly meets her death.
Christian Bale embodies Frankenstein's monster. His makeup is somewhat reminiscent of Karloff's mask. Bale portrays him as a lonely, sympathetic, and sensitive character. He loves the cinema, especially the dance films of that era. His on-screen hero is Ronnie Reed, played by Maggie's brother, Jake Gyllenhaal (somewhat underutilized in the role). When Frank fantasizes himself into a movie in a tailcoat and top hat, it reminds me of similar scenes from Mel Brooks's »Young Frankenstein«, and I wondered: Perhaps it's all not meant to be taken seriously?
Frank suffers immensely from loneliness and longs for a companion. He asks the brilliant scientist Dr. Euphronius, solidly portrayed by Annette Bening, for help. They exhume Ida's body and bring it to Euphronius's laboratory, where the Bride is revived. She has no memory of her life, and she is told that she is Frank's Bride and that she has suffered an accident.
Jessie Buckley as the Bride is truly a force of nature. I recently saw her in her Oscar-nominated role in »Hamnet«, and now her brilliant portrayal of the Bride, in which she unleashes an incredibly wide range of emotions – vulnerable at times, unleashed, freaky, brutal. She practically bursts off the screen.
Then there are the detectives Jake Wiles, played by Gyllenhaal's husband Peter Sarsgaard, and Myrna Mallow , portrayed by Penélope Cruz. The two are hot on the trail of the monsters, with Myrna being the clever one, but as a woman in the 1930s, she doesn't have much say.
Technically, the film is brilliant. The cinematography, set design, costumes, and overall production are all top-notch. Bale and Buckley also deliver compelling performances, and there are some truly great scenes. However, the film tries to do too much and feels somewhat disjointed. There's a truly great dance scene, but it seems to be more of an end in itself. As expected, the theme is female empowerment, which is presented for much of the film as a punky »Bonnie and Clyde« ballad, ultimately veering into »Joker« and (even worse) »Joker: Folie à Deux«.
Maggie Gyllenhaal takes a risk, but to me, the whole thing feels overambitious and, despite its undeniable quality, quite cumbersome. Ultimately, it feels like style over substance. I couldn't fully enjoy the film. Some aspects, like Penélope Cruz's role, are simply too on the nose for my taste, causing the film to undermine itself and its message. I'm not saying »The Bride!« is a bad movie, but it didn't hook me and was, unfortunately, disappointing. However, I've also read and seen reviews that praise it, so it's best to form your own opinion. Let me know in the comments how you experienced the film!
04.03.2026 • YOUNG SHERLOCK
Today, the new series »Young Sherlock« premieres on Prime Video, exploring, as the title suggests, the origins of the young Sherlock Holmes.
The show is a loose adaptation of Andrew Lane's »Young Sherlock Holmes« book series, which in turn is based on the works of Arthur Conan Doyle. In the eight episodes, we follow Hero Fiennes Tiffin as Sherlock through his time at Oxford University, where the rebellious and undisciplined student befriends James Moriarty. When he becomes embroiled in a murder case and falls under suspicion himself, he must uncover a conspiracy – Sherlock Holmes' first case and the birth of the master detective!
Guy Ritchie, who already has experience with the source material, was on board as director and executive producer. His two Sherlock Holmes films starring Robert Downey Jr. in the title role are by no means masterpieces and focus more on action than complex detective work, but they are certainly entertaining. The trailer for »Young Sherlock« gives a similar impression:
https://youtu.be/rXMrTALO2ME
Will you be watching the series?
The show is a loose adaptation of Andrew Lane's »Young Sherlock Holmes« book series, which in turn is based on the works of Arthur Conan Doyle. In the eight episodes, we follow Hero Fiennes Tiffin as Sherlock through his time at Oxford University, where the rebellious and undisciplined student befriends James Moriarty. When he becomes embroiled in a murder case and falls under suspicion himself, he must uncover a conspiracy – Sherlock Holmes' first case and the birth of the master detective!
Guy Ritchie, who already has experience with the source material, was on board as director and executive producer. His two Sherlock Holmes films starring Robert Downey Jr. in the title role are by no means masterpieces and focus more on action than complex detective work, but they are certainly entertaining. The trailer for »Young Sherlock« gives a similar impression:
https://youtu.be/rXMrTALO2ME
Will you be watching the series?
04.03.2026 • HOPPERS
The latest Disney Pixar production, »Hoppers«, is hitting cinemas. Our Mick had the opportunity to see the 30th Pixar film at a preview screening last weekend. Here are his thoughts:
Even as a child, Mabel Tanaka loved animals more than anything. She shares this love of nature with her grandmother. Together, they spend a lot of time at a small forest lake in a clearing. Mabel promises her grandmother that she will always protect this place.
She has since grown into a rebellious nineteen-year-old, and the lake is threatened by the popular mayor, Jerry Generazzo, who wants to build a highway right through the clearing. Mabel protests the project and collects signatures as the highway takes shape. She confronts the mayor, as it ultimately affects the habitat of many animals. "What animals?" Jerry retorts. "There aren't any animals left." And indeed, the entire landscape seems deserted. If only a beaver, as a keystone species, would settle there, other species would follow.
At night, Mabel observes a beaver being loaded into a van and taken to the university. There, Mabel discovers that university lecturer Dr. Sam has developed a technique to transfer human consciousness into an animal robot, a process called 'hopping'. Mabel uses this technique, and in the form of a beaver, she meets the emigrated animals, including George, the king of the mammals. In her avatar form, she is able to communicate with the animals. However, in doing so, she also threatens the natural order, and true to her rebellious nature, she instigates a rebellion...
The film is full of endearing and beautifully animated characters who blend seamlessly into their surroundings, whether the laboratory or the forest. On the human side, the scenes between Mabel and her grandmother are the most emotional. The film relies on its visual language without explicitly stating everything. The interaction between the two forms the emotional anchor for Mabel's motivation. The animals are also wonderfully animated and a lot of fun. One clever device is the different way the animals are portrayed, depending on whether they are viewed from a human perspective or from the animal's point of view through the avatar. The film doesn't shy away from the fact that nature is brutal and a matter of predator and prey, which provides material for some decidedly dark humorous scenes.
The major themes are the destruction of animal habitats and the struggle to preserve them. The lovable beaver King George sums up the core message perfectly: "We're all in this together." The film ends on an optimistic, conciliatory note. If we only learn to look and listen, we can gain clarity and insight.
Mabel Tanaka is undoubtedly a character we can't help but care about, but beyond her relationship with her grandmother and her love of animals, we learn nothing about her, and so she unfortunately remains somewhat one-dimensional.
The film offers a number of witty ideas, but doesn't reach the originality and gag density of other Pixar or Disney productions, such as »Inside Out« or »Zootopia«. With a few exceptions (Avatar, King's Paw), the humor is aimed more at a younger audience. I also missed the pop culture references, such as the film quotes in »Zootopia«, which are geared toward an adult audience, like the scene references to »The Silence of the Lambs« or »The Shining«.
The film is pleasant and entertaining, but it certainly won't stay with me for long. However, I'm also somewhat outside the primary target audience.
Even as a child, Mabel Tanaka loved animals more than anything. She shares this love of nature with her grandmother. Together, they spend a lot of time at a small forest lake in a clearing. Mabel promises her grandmother that she will always protect this place.
She has since grown into a rebellious nineteen-year-old, and the lake is threatened by the popular mayor, Jerry Generazzo, who wants to build a highway right through the clearing. Mabel protests the project and collects signatures as the highway takes shape. She confronts the mayor, as it ultimately affects the habitat of many animals. "What animals?" Jerry retorts. "There aren't any animals left." And indeed, the entire landscape seems deserted. If only a beaver, as a keystone species, would settle there, other species would follow.
At night, Mabel observes a beaver being loaded into a van and taken to the university. There, Mabel discovers that university lecturer Dr. Sam has developed a technique to transfer human consciousness into an animal robot, a process called 'hopping'. Mabel uses this technique, and in the form of a beaver, she meets the emigrated animals, including George, the king of the mammals. In her avatar form, she is able to communicate with the animals. However, in doing so, she also threatens the natural order, and true to her rebellious nature, she instigates a rebellion...
The film is full of endearing and beautifully animated characters who blend seamlessly into their surroundings, whether the laboratory or the forest. On the human side, the scenes between Mabel and her grandmother are the most emotional. The film relies on its visual language without explicitly stating everything. The interaction between the two forms the emotional anchor for Mabel's motivation. The animals are also wonderfully animated and a lot of fun. One clever device is the different way the animals are portrayed, depending on whether they are viewed from a human perspective or from the animal's point of view through the avatar. The film doesn't shy away from the fact that nature is brutal and a matter of predator and prey, which provides material for some decidedly dark humorous scenes.
The major themes are the destruction of animal habitats and the struggle to preserve them. The lovable beaver King George sums up the core message perfectly: "We're all in this together." The film ends on an optimistic, conciliatory note. If we only learn to look and listen, we can gain clarity and insight.
Mabel Tanaka is undoubtedly a character we can't help but care about, but beyond her relationship with her grandmother and her love of animals, we learn nothing about her, and so she unfortunately remains somewhat one-dimensional.
The film offers a number of witty ideas, but doesn't reach the originality and gag density of other Pixar or Disney productions, such as »Inside Out« or »Zootopia«. With a few exceptions (Avatar, King's Paw), the humor is aimed more at a younger audience. I also missed the pop culture references, such as the film quotes in »Zootopia«, which are geared toward an adult audience, like the scene references to »The Silence of the Lambs« or »The Shining«.
The film is pleasant and entertaining, but it certainly won't stay with me for long. However, I'm also somewhat outside the primary target audience.
03.03.2026 • TRAILER
Over the past few days, we've stumbled across a handful of trailers, all promising humorous and action-packed entertainment:
Last week, Warner dropped a second trailer for the video game adaptation »Mortal Kombat II«:
https://youtu.be/b24oG7qCwp4
After Johnny Cage was absent from the first film, the fan favorite is now being recruited for part two. The washed-up action star, played by Karl Urban, is set to fight to the death alongside far more battle-hardened warriors for the fate of the world. It all looks like slightly trashy, but entertaining popcorn cinema with epic battles, which we can see on the big screen this May.
Mortal Kombat fans should also definitely check out our shop, as we have some great collectibles from the franchise on offer:
https://www.space-figuren.de/Games/Mortal-Kombat:::4684_5049.html
They're baaaaaack! 13 years after the last part, Anna Faris, Regina Hall, and Marlon Wayans return in »Scary Movie 6«! As usual, no one is spared in this new installment of the series. And over the years, the horror genre has gained several films and characters that the filmmakers can use for their parody. See for yourselves if you can spot all the references:
https://youtu.be/0fZ58S-7QP0
The film opens in theaters in June.
We won't have to wait quite that long for season 2 of the »One Piece« live-action series! The eight new episodes will be released on Netflix on March 10th – and the final trailer is seriously exciting!
https://youtu.be/-sKjdYceH04
Just in time for the release, the 1/6 scale Roronoa Zoro figure from Hot Toys is now in stock, which you can find in our shop along with Luffy:
https://www.space-figuren.de/Serien/One-Piece:::4682_5570.html
With »Mike & Nick & Nick & Alice«, Disney+ will be releasing a time-traveling, double-crossing, ass-kicking comedy on March 27th! Vince Vaughn and James Marsden play Nick and Mike, two gangsters who, along with Alice (Eiza González), get caught up in a complicated web of organized crime and time travel. The trailer certainly looks fun, even if it might already reveal a bit too much:
https://youtu.be/_p2w5G1StzA
Last week, Warner dropped a second trailer for the video game adaptation »Mortal Kombat II«:
https://youtu.be/b24oG7qCwp4
After Johnny Cage was absent from the first film, the fan favorite is now being recruited for part two. The washed-up action star, played by Karl Urban, is set to fight to the death alongside far more battle-hardened warriors for the fate of the world. It all looks like slightly trashy, but entertaining popcorn cinema with epic battles, which we can see on the big screen this May.
Mortal Kombat fans should also definitely check out our shop, as we have some great collectibles from the franchise on offer:
https://www.space-figuren.de/Games/Mortal-Kombat:::4684_5049.html
They're baaaaaack! 13 years after the last part, Anna Faris, Regina Hall, and Marlon Wayans return in »Scary Movie 6«! As usual, no one is spared in this new installment of the series. And over the years, the horror genre has gained several films and characters that the filmmakers can use for their parody. See for yourselves if you can spot all the references:
https://youtu.be/0fZ58S-7QP0
The film opens in theaters in June.
We won't have to wait quite that long for season 2 of the »One Piece« live-action series! The eight new episodes will be released on Netflix on March 10th – and the final trailer is seriously exciting!
https://youtu.be/-sKjdYceH04
Just in time for the release, the 1/6 scale Roronoa Zoro figure from Hot Toys is now in stock, which you can find in our shop along with Luffy:
https://www.space-figuren.de/Serien/One-Piece:::4682_5570.html
With »Mike & Nick & Nick & Alice«, Disney+ will be releasing a time-traveling, double-crossing, ass-kicking comedy on March 27th! Vince Vaughn and James Marsden play Nick and Mike, two gangsters who, along with Alice (Eiza González), get caught up in a complicated web of organized crime and time travel. The trailer certainly looks fun, even if it might already reveal a bit too much:
https://youtu.be/_p2w5G1StzA
02.03.2026 • 50 COLLECTIBLES – NOW 50% OFF
It's time for some amazing bargains again – our 50% sale is back! 🤩
We're taking a one-month break from our ⚡ DEALS OF THE WEEK ⚡ and are instead offering you ten times the special deals. Throughout March, you'll find 50 collectibles at half price in our shop – until the end of the month or while supplies last. And as soon as an item sells out, the next one will be added. So check our SALE SECTION regularly!
Discover 50 COLLECTIBLES – 50% OFF!
space-figuren.de/sale
We're taking a one-month break from our ⚡ DEALS OF THE WEEK ⚡ and are instead offering you ten times the special deals. Throughout March, you'll find 50 collectibles at half price in our shop – until the end of the month or while supplies last. And as soon as an item sells out, the next one will be added. So check our SALE SECTION regularly!
Discover 50 COLLECTIBLES – 50% OFF!
space-figuren.de/sale
01.03.2026 • PRODUCT OF THE MONTH MARCH 2026
Alongside Count Dracula, Blade, and Lestat de Lioncourt, Vampirella undoubtedly ranks among the most iconic vampire figures ever produced by pop culture. She first saw the light of day in 1969 in the form of a black-and-white comic. Her long black hair, skin-tight leather boots, and revealing red costume quickly burned themselves into the cultural memory of the nerd community. In her adventures, elements of horror, science fiction, and eroticism are woven into a truly distinctive blend.
Like Blade, Vampirella is not conceived as an enemy of humankind, but instead acts as a protector. However, if humans cause her trouble, she is more than ready for a skirmish. But fundamentally, Vampirella strives to keep innocents out of harm's way. For this reason, she also seeks to overcome her dependence on human blood.
Unlike traditional vampires, Vampirella is not portrayed in her origin story as a supernatural embodiment of horror, but rather as an extraterrestrial being who comes to Earth after a catastrophe devastates her home planet, Drakulon. Her abilities and her vampirism are therefore rooted in evolutionary biology. This can also be attributed to the fact that her creator, Forrest J. Ackerman, was well known as a writer, editor, and publisher of science fiction. In fan circles, he is rightly regarded as one of the genre's pioneering forefathers. In later versions and reinterpretations, however, authors toned down this scientific foundation and reimagined her origins in a more demonic and mystical light.
To celebrate the 55th anniversary of the Vampirella franchise, Kotobukiya announced that the vampiric heroine would join its popular Horror Bishoujo line-up. This series is characterized by creative poses combined with a touch of playful sensuality. The same approach is realized in the 1/7 Scale Vampirella Bishoujo PVC Statue: Vampirella leans against a cross-shaped gravestone, playfully twirling her hair. The sensual, diabolical impression is underscored by a bat swooping past her. Vampi's gaze is challenging, seductive, and brimming with confidence.
Naturally, we always take a particularly close look whenever the team at Koto releases a new Bishoujo figure. And let's be honest: we've never really been disappointed. That Vampirella had to be crowned 💥 Product of the Month 💥 for March 2026 is also due to the statue's conceptual ambition: the designers ensured that, depending on the chosen position and display angle, a different facet of the vampiric lady from the planet Drakulon is brought to the forefront.
But no matter which mood you prefer, we are convinced that this Bishoujo statue will be a striking addition to your collection!
Like Blade, Vampirella is not conceived as an enemy of humankind, but instead acts as a protector. However, if humans cause her trouble, she is more than ready for a skirmish. But fundamentally, Vampirella strives to keep innocents out of harm's way. For this reason, she also seeks to overcome her dependence on human blood.
Unlike traditional vampires, Vampirella is not portrayed in her origin story as a supernatural embodiment of horror, but rather as an extraterrestrial being who comes to Earth after a catastrophe devastates her home planet, Drakulon. Her abilities and her vampirism are therefore rooted in evolutionary biology. This can also be attributed to the fact that her creator, Forrest J. Ackerman, was well known as a writer, editor, and publisher of science fiction. In fan circles, he is rightly regarded as one of the genre's pioneering forefathers. In later versions and reinterpretations, however, authors toned down this scientific foundation and reimagined her origins in a more demonic and mystical light.
To celebrate the 55th anniversary of the Vampirella franchise, Kotobukiya announced that the vampiric heroine would join its popular Horror Bishoujo line-up. This series is characterized by creative poses combined with a touch of playful sensuality. The same approach is realized in the 1/7 Scale Vampirella Bishoujo PVC Statue: Vampirella leans against a cross-shaped gravestone, playfully twirling her hair. The sensual, diabolical impression is underscored by a bat swooping past her. Vampi's gaze is challenging, seductive, and brimming with confidence.
Naturally, we always take a particularly close look whenever the team at Koto releases a new Bishoujo figure. And let's be honest: we've never really been disappointed. That Vampirella had to be crowned 💥 Product of the Month 💥 for March 2026 is also due to the statue's conceptual ambition: the designers ensured that, depending on the chosen position and display angle, a different facet of the vampiric lady from the planet Drakulon is brought to the forefront.
But no matter which mood you prefer, we are convinced that this Bishoujo statue will be a striking addition to your collection!
27.02.2026 • REQUIEM FOR THE DEAD. NIGHTMARE FOR THE LIVING.
Today, »Resident Evil« fans are screaming – in both joy and fear! »Resident Evil Requiem« is available now for PlayStation 5, Xbox Series, Switch 2, and Windows. Prepare yourself for atmospheric horror in a post-apocalyptic setting, where you'll encounter both fresh and familiar faces. We're talking about FBI intelligence analyst Grace Ashcroft, introduced as the new protagonist, and DSO agent Leon S. Kennedy, whom we've come to know and love from several past installments of the video game series.
The game blends two distinct characters and, with them, two styles that Capcom claims have never been seen in »Resident Evil« with such an immersive scope. While we experience true terror through Grace's eyes, Leon brings ruthless action and firepower to the table. You can choose to play in either first-person or third-person perspective. In any case, the trailer is already visually stunning, and the reunion with Leon promises those good old Resi vibes:
https://youtu.be/fXVy4mALHLY
In 2028, 30 years after the incident in Raccoon City, Leon returns to the place of his first nightmare. There, he encounters Grace Ashcroft, who is investigating a murder case at the hotel where her mother was once killed. Shortly thereafter, both become entangled in the dark schemes of Dr. Victor Gideon, who seeks to complete the legacy of Umbrella with new biological weapons.
If you are just as much of a »Resident Evil« veteran as Leon S. Kennedy, »Requiem« will not be your first encounter with this franchise that has been celebrated for decades. Luckily for you, you don't have to scour every corner for valuable resources like the adept agent. In our shop, you will find several high-quality collectibles that could enrich your collection. Among others, we have incredibly detailed statues from Prime 1 Studio to choose from, including the 1/4 Leon S. Kennedy vs. Chainsaw Villager Ultimate Premium Masterline Statue from the »Resident Evil 4« remake. Also not to be overlooked is the Nemesis Life-Size Bust by Pure Arts from »Resident Evil 3«. Feel free to check out what else there is to discover:
https://www.space-figuren.de/Games/Resident-Evil:::4684_5093.html?language=en
Are you excited for the new horror experience in Raccoon City?
The game blends two distinct characters and, with them, two styles that Capcom claims have never been seen in »Resident Evil« with such an immersive scope. While we experience true terror through Grace's eyes, Leon brings ruthless action and firepower to the table. You can choose to play in either first-person or third-person perspective. In any case, the trailer is already visually stunning, and the reunion with Leon promises those good old Resi vibes:
https://youtu.be/fXVy4mALHLY
In 2028, 30 years after the incident in Raccoon City, Leon returns to the place of his first nightmare. There, he encounters Grace Ashcroft, who is investigating a murder case at the hotel where her mother was once killed. Shortly thereafter, both become entangled in the dark schemes of Dr. Victor Gideon, who seeks to complete the legacy of Umbrella with new biological weapons.
If you are just as much of a »Resident Evil« veteran as Leon S. Kennedy, »Requiem« will not be your first encounter with this franchise that has been celebrated for decades. Luckily for you, you don't have to scour every corner for valuable resources like the adept agent. In our shop, you will find several high-quality collectibles that could enrich your collection. Among others, we have incredibly detailed statues from Prime 1 Studio to choose from, including the 1/4 Leon S. Kennedy vs. Chainsaw Villager Ultimate Premium Masterline Statue from the »Resident Evil 4« remake. Also not to be overlooked is the Nemesis Life-Size Bust by Pure Arts from »Resident Evil 3«. Feel free to check out what else there is to discover:
https://www.space-figuren.de/Games/Resident-Evil:::4684_5093.html?language=en
Are you excited for the new horror experience in Raccoon City?
26.02.2026 • SCREAM 7
»Scream 7« is hitting cinemas right now. Our Mick had the opportunity to see the film at a preview screening yesterday. Here are his thoughts:
Slasher films had their heyday in the 1980s. Eventually, the wave subsided, and by the mid-90s, slashers were a dying genre. Then, in 1996, »Scream«, with its self-referential approach to horror, revitalized the subgenre for good.
Now, 30 years later, we've arrived at the seventh installment in the series. The road to this film was fraught with difficulties. In »Scream 5« the baton was passed to the Carpenter sisters, portrayed by Melissa Barrera and Jenna Ortega. Sidney Prescott was no longer involved in »Scream 6« because the studio and Neve Campbell couldn't agree on the pay. After the film's release, the news came one after the other. Directors Matt Bettinelli-Olpin and Tyler Gillett dropped out because they were busy with their film »Abigail« when filming was scheduled to begin. Christopher B. Landon was then slated to direct. Melissa Barrera was fired due to a controversial Instagram post, and Jenna Ortega also left. For Landon, the project was deadlocked without his leading ladies, and to make matters worse, he faced online death threats and hate comments, which mistakenly blamed him for the Barrera situation. Ultimately, original writer Kevin Williamson took over directing duties, and Neve Campbell returned.
The opening sequence plays on the Stab fandom and takes us to a reconstruction of Stu Macher's house, the site of the showdown in the first and fifth film, which serves as a kind of morbid Airbnb. A couple rents the place, views and comments on the devotional objects of the Woodsboro murders, and, unsurprisingly, is eventually dispatched by a Ghostface killer.
Sidney Prescott-Evans is married, lives in a small town, has three children, and runs a café. Her younger kids are currently visiting relatives. Only her 17-year-old daughter, Tatum (Isabel May), is with her. Due to her own traumatic past, Sidney is suspicious of Tatum's boyfriend, Ben. The relationship between mother and daughter is strained. The film takes its time at the beginning and gets going slowly. Then Sidney receives a threatening phone call ...
The events of the intro sequence lead to Gale Weathers' arrival in Sidney's small town. She is accompanied by her interns, Mindy and Chad Meeks-Martin, whom we know from parts 5 and 6. In the two previous films, horror fan Mindy acted as the explainer, providing the appropriate commentary on the genre. The meta aspect is significantly toned down in »Scream 7«, and there are few pop culture references. But there wouldn't be much new to say anyway.
The film has a satisfying level of violence and delivers some inventive kills and a few genuinely exciting scenes. The whodunit aspect of the story lays out a few red herrings, but those familiar with the genre and the Scream films won't fall for them. A recurring problem with the series has always been the motivation of the Ghostface killers. Family ties and resulting revenge plots have been fabricated, or the perpetrators have been portrayed as social media addicts or deranged Stab fans. Unfortunately, the resolution in »Scream 7« is the most bland of the entire series and is a complete disappointment.
But putting that aside, the film was quite entertaining. For me, the »Scream« series is a bit like a burger: not particularly nutritious, and certainly not healthy, but sometimes I get a craving for one. For the moment, it simply tastes delicious, even if I'm hungry again after two hours.
Slasher films had their heyday in the 1980s. Eventually, the wave subsided, and by the mid-90s, slashers were a dying genre. Then, in 1996, »Scream«, with its self-referential approach to horror, revitalized the subgenre for good.
Now, 30 years later, we've arrived at the seventh installment in the series. The road to this film was fraught with difficulties. In »Scream 5« the baton was passed to the Carpenter sisters, portrayed by Melissa Barrera and Jenna Ortega. Sidney Prescott was no longer involved in »Scream 6« because the studio and Neve Campbell couldn't agree on the pay. After the film's release, the news came one after the other. Directors Matt Bettinelli-Olpin and Tyler Gillett dropped out because they were busy with their film »Abigail« when filming was scheduled to begin. Christopher B. Landon was then slated to direct. Melissa Barrera was fired due to a controversial Instagram post, and Jenna Ortega also left. For Landon, the project was deadlocked without his leading ladies, and to make matters worse, he faced online death threats and hate comments, which mistakenly blamed him for the Barrera situation. Ultimately, original writer Kevin Williamson took over directing duties, and Neve Campbell returned.
The opening sequence plays on the Stab fandom and takes us to a reconstruction of Stu Macher's house, the site of the showdown in the first and fifth film, which serves as a kind of morbid Airbnb. A couple rents the place, views and comments on the devotional objects of the Woodsboro murders, and, unsurprisingly, is eventually dispatched by a Ghostface killer.
Sidney Prescott-Evans is married, lives in a small town, has three children, and runs a café. Her younger kids are currently visiting relatives. Only her 17-year-old daughter, Tatum (Isabel May), is with her. Due to her own traumatic past, Sidney is suspicious of Tatum's boyfriend, Ben. The relationship between mother and daughter is strained. The film takes its time at the beginning and gets going slowly. Then Sidney receives a threatening phone call ...
The events of the intro sequence lead to Gale Weathers' arrival in Sidney's small town. She is accompanied by her interns, Mindy and Chad Meeks-Martin, whom we know from parts 5 and 6. In the two previous films, horror fan Mindy acted as the explainer, providing the appropriate commentary on the genre. The meta aspect is significantly toned down in »Scream 7«, and there are few pop culture references. But there wouldn't be much new to say anyway.
The film has a satisfying level of violence and delivers some inventive kills and a few genuinely exciting scenes. The whodunit aspect of the story lays out a few red herrings, but those familiar with the genre and the Scream films won't fall for them. A recurring problem with the series has always been the motivation of the Ghostface killers. Family ties and resulting revenge plots have been fabricated, or the perpetrators have been portrayed as social media addicts or deranged Stab fans. Unfortunately, the resolution in »Scream 7« is the most bland of the entire series and is a complete disappointment.
But putting that aside, the film was quite entertaining. For me, the »Scream« series is a bit like a burger: not particularly nutritious, and certainly not healthy, but sometimes I get a craving for one. For the moment, it simply tastes delicious, even if I'm hungry again after two hours.
24.02.2026 • TOYS & MUMMIES
Today we have two trailers for you that couldn't be more different. While the first film is a colorful adventure for the whole family, the second delivers hardcore horror and is probably rated 16+.
With »Toy Story«, Pixar created a milestone of film history in 1995, presenting the first feature-length film entirely computer-animated. The film was packed with brilliant directorial ideas, fast-paced and funny, yet also deeply emotional and a celebration of friendship. The success of »Toy Story« spawned three sequels, each imaginative and with compelling themes. The fifth installment in the series will be released in theaters on June 19.
In »Toy Story 5«, Buzz, Woody, Jessie, and the rest of the toy gang face a completely new threat. When Bonnie receives a Lilypad tablet as a gift, she quickly becomes obsessed with it and loses sight of her old toys. Woody and his friends must defend themselves against the technological threat and try everything they can to lure Bonnie away from the screen and get her back to playing. Here's the trailer:
https://youtu.be/c51ND9Hdbw0
»Lee Cronin's The Mummy« was produced by James Wan and Blumhouse. Director and writer Lee Cronin already proved his knack for the horror genre with »Evil Dead Rise«.
In his latest work a journalist's young daughter vanishes without a trace in the desert. Eight years later, the fractured family is shocked when she returns, as what should have been a joyful reunion turns into a nightmare.
The trailer definitely whets our appetite for more, and we're eager to see what new aspects, twists, and turns Lee Cronin can bring to the old mummy subgenre:
https://youtu.be/XJ0uv-phsDk
»Lee Cronin's The Mummy« is hitting cinemas on April 17.
With »Toy Story«, Pixar created a milestone of film history in 1995, presenting the first feature-length film entirely computer-animated. The film was packed with brilliant directorial ideas, fast-paced and funny, yet also deeply emotional and a celebration of friendship. The success of »Toy Story« spawned three sequels, each imaginative and with compelling themes. The fifth installment in the series will be released in theaters on June 19.
In »Toy Story 5«, Buzz, Woody, Jessie, and the rest of the toy gang face a completely new threat. When Bonnie receives a Lilypad tablet as a gift, she quickly becomes obsessed with it and loses sight of her old toys. Woody and his friends must defend themselves against the technological threat and try everything they can to lure Bonnie away from the screen and get her back to playing. Here's the trailer:
https://youtu.be/c51ND9Hdbw0
»Lee Cronin's The Mummy« was produced by James Wan and Blumhouse. Director and writer Lee Cronin already proved his knack for the horror genre with »Evil Dead Rise«.
In his latest work a journalist's young daughter vanishes without a trace in the desert. Eight years later, the fractured family is shocked when she returns, as what should have been a joyful reunion turns into a nightmare.
The trailer definitely whets our appetite for more, and we're eager to see what new aspects, twists, and turns Lee Cronin can bring to the old mummy subgenre:
https://youtu.be/XJ0uv-phsDk
»Lee Cronin's The Mummy« is hitting cinemas on April 17.
23.02.2026 • ANOTHER DAY IN PARADISE
Today, the second season of the Hulu series »Paradise« premieres with the first three episodes on Disney+.
Sterling K. Brown plays Secret Service agent Xavier Collins, who protects the former President of the United States in a small, peaceful community. When he finds the president murdered in the bedroom of his residence one morning, Collins begins his investigation...
That's how it started in the first episode of season one, and we thought we were watching a typical political thriller, only to have the rug pulled out from under us at the end of the episode and realize that everything is completely different. A few initial surprises were followed by a kind of »Truman Show« feeling, and we realized we were watching a dystopian sci-fi thriller. We hadn't seen that coming, and the series had us hooked from that point on. In the remaining episodes the story then took several twists and turns, constantly raising new questions.
Now the show finally continues, and we're eagerly looking for answers, new riddles, and what awaits us beyond this small community.
If the first season passed you by unnoticed, you absolutely must catch up on these eight episodes. It's worth it! The series is completely unpredictable and very well produced. Besides Sterling K. Brown as the Secret Service agent, Julianne Nicholson shines as the mastermind Sinatra.
Sterling K. Brown plays Secret Service agent Xavier Collins, who protects the former President of the United States in a small, peaceful community. When he finds the president murdered in the bedroom of his residence one morning, Collins begins his investigation...
That's how it started in the first episode of season one, and we thought we were watching a typical political thriller, only to have the rug pulled out from under us at the end of the episode and realize that everything is completely different. A few initial surprises were followed by a kind of »Truman Show« feeling, and we realized we were watching a dystopian sci-fi thriller. We hadn't seen that coming, and the series had us hooked from that point on. In the remaining episodes the story then took several twists and turns, constantly raising new questions.
Now the show finally continues, and we're eagerly looking for answers, new riddles, and what awaits us beyond this small community.
If the first season passed you by unnoticed, you absolutely must catch up on these eight episodes. It's worth it! The series is completely unpredictable and very well produced. Besides Sterling K. Brown as the Secret Service agent, Julianne Nicholson shines as the mastermind Sinatra.
20.02.2026 • IT CONTINUES.
To wrap up the week, we have two new trailers for sequels we're already really looking forward to:
In summer of 2024, season 2 of »House of the Dragon« ended with a cliffhanger that has kept us on tenterhooks for two years. Now there's a trailer for season 3, which will premiere in June on HBO Max:
https://youtu.be/i6w7O1kwuBk
The trailer is already whetting our appetites for everything we love about the world of »Game of Thrones« and »House of the Dragon«: dark power struggles and intrigue, epic battles, and of course dragons, dragons and more dragons. We're especially excited for the massive naval Battle of the Gullet, which will likely be a long-awaited climax of the series right at the start of season 3. We're eager to see what happens next with the two factions and the Dance of the Dragons.
The Netflix series »Peaky Blinders« ended four years ago with a gut wrenching, awesomely epic but somewhat open-ended sixth season. Now we will finally be given the final film, the show runners were hinting at, at that time: »Peaky Blinders: The Immortal Man« releases on March 20th.
In 1940, amidst the chaos of World War II, Tommy Shelby (Cillian Murphy) returns to Birmingham from his self-imposed exile. Nothing less than the fate of his family and the entire country hangs in the balance. Tommy must confront his inner demons and decide whether to embrace his legacy or destroy it. The centre of the narrative will be his relationship to Duke, his illegitimate, full-gipsy son, who is de facto running the Peaky Blinders by now. The trailer looks like a big-screen spectacle:
https://youtu.be/lcvUGs3xaDM
There will also be a limited theatrical run in select cinemas starting March 6th.
There have been several collectibles for both »House of the Dragon« and »Peaky Blinders« in the past, but there's still plenty of room for improvement in both themes.
»House of the Dragon« has only been represented in small scale by McFarlane and Diamond Select Toys so far:
https://www.space-figuren.de/advanced_search_result.php?categories_id=&inc_subcat=1&keywords=House+of+the+Dragon
There's a lot of potential here for a great 1/6 scale series. Threezero has covered »Game of Thrones« quite extensively in the past, but shows no sign of acquiring the license for »House of the Dragon«.
After the bankruptcy of Big Chief Studios (which was based in Birmingham, btw), the 1/6 scale license for »Peaky Blinders« has unfortunately gone dormant. Aside from an Arthur Shelby Art Scale Statue by Iron Studios, nothing new has emerged:
https://www.space-figuren.de/Series/Peaky-Blinders:::4682_4864.html
We hope that the upcoming two seasons of »House of the Dragon«, the new series »A Knight of the Seven Kingdoms« and »Peaky Blinders: The Immortal Man« will ultimately lead to some cool new collectibles. They would certainly get pride of place on our shelf!
In summer of 2024, season 2 of »House of the Dragon« ended with a cliffhanger that has kept us on tenterhooks for two years. Now there's a trailer for season 3, which will premiere in June on HBO Max:
https://youtu.be/i6w7O1kwuBk
The trailer is already whetting our appetites for everything we love about the world of »Game of Thrones« and »House of the Dragon«: dark power struggles and intrigue, epic battles, and of course dragons, dragons and more dragons. We're especially excited for the massive naval Battle of the Gullet, which will likely be a long-awaited climax of the series right at the start of season 3. We're eager to see what happens next with the two factions and the Dance of the Dragons.
The Netflix series »Peaky Blinders« ended four years ago with a gut wrenching, awesomely epic but somewhat open-ended sixth season. Now we will finally be given the final film, the show runners were hinting at, at that time: »Peaky Blinders: The Immortal Man« releases on March 20th.
In 1940, amidst the chaos of World War II, Tommy Shelby (Cillian Murphy) returns to Birmingham from his self-imposed exile. Nothing less than the fate of his family and the entire country hangs in the balance. Tommy must confront his inner demons and decide whether to embrace his legacy or destroy it. The centre of the narrative will be his relationship to Duke, his illegitimate, full-gipsy son, who is de facto running the Peaky Blinders by now. The trailer looks like a big-screen spectacle:
https://youtu.be/lcvUGs3xaDM
There will also be a limited theatrical run in select cinemas starting March 6th.
There have been several collectibles for both »House of the Dragon« and »Peaky Blinders« in the past, but there's still plenty of room for improvement in both themes.
»House of the Dragon« has only been represented in small scale by McFarlane and Diamond Select Toys so far:
https://www.space-figuren.de/advanced_search_result.php?categories_id=&inc_subcat=1&keywords=House+of+the+Dragon
There's a lot of potential here for a great 1/6 scale series. Threezero has covered »Game of Thrones« quite extensively in the past, but shows no sign of acquiring the license for »House of the Dragon«.
After the bankruptcy of Big Chief Studios (which was based in Birmingham, btw), the 1/6 scale license for »Peaky Blinders« has unfortunately gone dormant. Aside from an Arthur Shelby Art Scale Statue by Iron Studios, nothing new has emerged:
https://www.space-figuren.de/Series/Peaky-Blinders:::4682_4864.html
We hope that the upcoming two seasons of »House of the Dragon«, the new series »A Knight of the Seven Kingdoms« and »Peaky Blinders: The Immortal Man« will ultimately lead to some cool new collectibles. They would certainly get pride of place on our shelf!
19.02.2026 • MONSTERS UNDER YOUR BED, MIND SPORES & ICE-COLD REVENGE
A new Thursday – three fresh film picks hitting German cinemas today:
Our favorite for the movie start of the week is clearly »Dust Bunny«: »Hannibal« showrunner Bryan Fuller teams up with Mads Mikkelsen once again and directs this dark, fantastical action thriller like a fever dream. Eight-year-old Aurora (Sophie Sloan) hires the New York hitman from one of the neighbouring apartments, played by Mikkelsen, to take down the monster that supposedly ate her parents. In the US, where the film already opened in December, audiences have compared it to »Amélie«, »Pan's Labyrinth«, and Fuller's own series »Pushing Daisies«. Also starring: Sigourney Weaver, Sheila Atim, and David Dastmalchian.
For even more unhinged monster, or rather zombie hunting, there's »Cold Storage«. Georgina Campbell, »Stranger Things« star Joe Keery, and Liam Neeson do everything they can during a single night shift to prevent an outbreak of a mind-controlling zombie fungus (»The Last of Us« says hi!) from their container warehouse. Critics are especially praising the horror-comedy for never taking itself too seriously, and for knowingly scratching that B-movie itch.
Last but not least, we get Emma Thompson in a role that's pretty unusual for her – one she probably stole from Neeson, leaving him with nothing but the part in »Cold Storage«. In the action thriller »Dead of Winter«, she witnesses the kidnapping of a teenage girl (Laurel Marsden) and then transforms from kind-hearted, recently widowed housewife Barb into an ice-cold, deadly avenger with one goal: saving the girl. Even if the story is a bit heavy on backstory, the film is being praised above all for Thompson's performance and its deep-winter setting.
Our favorite for the movie start of the week is clearly »Dust Bunny«: »Hannibal« showrunner Bryan Fuller teams up with Mads Mikkelsen once again and directs this dark, fantastical action thriller like a fever dream. Eight-year-old Aurora (Sophie Sloan) hires the New York hitman from one of the neighbouring apartments, played by Mikkelsen, to take down the monster that supposedly ate her parents. In the US, where the film already opened in December, audiences have compared it to »Amélie«, »Pan's Labyrinth«, and Fuller's own series »Pushing Daisies«. Also starring: Sigourney Weaver, Sheila Atim, and David Dastmalchian.
For even more unhinged monster, or rather zombie hunting, there's »Cold Storage«. Georgina Campbell, »Stranger Things« star Joe Keery, and Liam Neeson do everything they can during a single night shift to prevent an outbreak of a mind-controlling zombie fungus (»The Last of Us« says hi!) from their container warehouse. Critics are especially praising the horror-comedy for never taking itself too seriously, and for knowingly scratching that B-movie itch.
Last but not least, we get Emma Thompson in a role that's pretty unusual for her – one she probably stole from Neeson, leaving him with nothing but the part in »Cold Storage«. In the action thriller »Dead of Winter«, she witnesses the kidnapping of a teenage girl (Laurel Marsden) and then transforms from kind-hearted, recently widowed housewife Barb into an ice-cold, deadly avenger with one goal: saving the girl. Even if the story is a bit heavy on backstory, the film is being praised above all for Thompson's performance and its deep-winter setting.
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